yed Thekla; but there are some striking points of coincidence,
while the national distinction in the character of the passion leaves to
Thekla a strong cast of originality.[21] The _Princess_ Thekla is, like
Juliet, the heiress of rank and opulence; her first introduction to us,
in her full dress and diamonds, does not impair the impression of her
softness and simplicity. We do not think of them, nor do we sympathize
with the complaint of her lover,--
The dazzle of the jewels which played round you
Hid the beloved from me.
We almost feel the reply of Thekla before she utters it,--
Then you saw me
Not with your heart, but with your eyes!
The timidity of Thekla in her first scene, her trembling silence in the
commencement, and the few words she addresses to her mother, remind us
of the unobtrusive simplicity of Juliet's first appearance; but the
impression is different; the one is the shrinking violet, the other the
unexpanded rose-bud. Thekla and Max Piccolomini are, like Romeo and
Juliet, divided by the hatred of their fathers. The death of Max, and
the resolute despair of Thekla, are also points of resemblance; and
Thekla's complete devotion, her frank yet dignified abandonment of all
disguise, and her apology for her own unreserve, are quite in Juliet's
style,--
I ought to be less open, ought to hide
My heart more from thee--so decorum dictates:
But where in this place wouldst thou seek for truth
If in my mouth thou didst not find it?
The same confidence, innocence, and fervor of affection, distinguish
both heroines; but the love of Juliet is more vehement, the love of
Thekla is more calm, and reposes more on itself; the love of Juliet
gives us the idea of infinitude, and that of Thekla of eternity: the
love of Juliet flows on with an increasing tide, like the river pouring
to the ocean; and the love of Thekla stands unalterable, and enduring as
the rock. In the heart of Thekla love shelters as in a home; but in the
heart of Juliet he reigns a crowned king,--"he rides on its pants
triumphant!" As women, they would divide the loves and suffrages of
mankind, but not as dramatic characters: the moment we come to look
nearer, we acknowledge that it is indeed "rashness and ignorance to
compare Schiller with Shakspeare."[22] Thekla is a fine conception in
the German spirit, but Juliet is a lovely and palpable creation. The
coloring in which Schiller has a
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