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events of unprecedented nature and importance, and for the rise of an emperor destined to play a part in the history of the world quite different from that performed by any of his predecessors. This was Constantine, in whose character, throughout his life, opposing elements seemed to contend for mastery, as was shown in his treatment of the perplexing questions that arose during his reign concerning Christianity, which was persecuted under Diocletian and the old Roman religion. Of his statesmanship and his further transformation of the empire, in ways which Diocletian could not have foreseen, history has made an impressive record. But the great events of his reign, which caused it to be regarded as the inauguration of a new era, were his conversion to Christianity and the acts whereby he secured its toleration and then its supremacy in the empire. In the account which follows it is clearly shown by what steps these results were attained, and how the work of Constantine the Great became the chief agency by which Christianity mounted the throne of the Caesars. In the beginning of the fourth century the Roman Empire had four sovereigns, of whom two were superior to the others and bore the title of Augustus, namely, Diocletian and Maximianus Herculius; the two inferior sovereigns, who bore the title of Caesars, were Constantius Chlorus and Galerius Maximianus. Under these four emperors the state of the Church was peaceful and happy. Diocletian, though superstitious, indulged no hatred toward the Christians. Constantius Chlorus, following only the dictates of reason in matters of religion, was averse to the popular idolatry, and friendly to the Christians. The pagan priests, therefore, from well-grounded fears lest Christianity, to their great and lasting injury, should spread far and wide its triumphs, endeavored to excite Diocletian, whom they knew to be both timid and credulous, by means of feigned oracles and other impositions, to engage in persecuting the Christians. These artifices not succeeding very well, they made use of the other emperor, Galerius Maximianus, who was son-in-law to Diocletian, in order to effect their purpose. This Emperor, who was of a ferocious character and ill-informed in everything except the military art, continued to work upon his father-in-law, being urged on partly by his own inclination, partly by the
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