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reath, the chorus of singers repeated the last verse; then Nero cast the tragic _syrma_ from his shoulder with a gesture learned from Aliturus, struck the lute, and sang on. When he had finished the lines composed, he improvised, using grandiose comparisons in the spectacle unfolded before him. His face began to change. He was not moved, it is true, by the destruction of his country's capital; but he was delighted and moved with the pathos of his own words to such a degree that his eyes filled with tears on a sudden. At last he dropped the lute to his feet with a clatter, and, wrapping himself in the syrma, stood as if petrified, like one of those statues of Niobe which ornamented the courtyard of the Palatine. Soon a storm of applause broke the silence. But in the distance this was answered by the howling of multitudes. No one doubted then that Caesar had given command to burn the city, so as to afford himself a spectacle and sing a song at it. TACITUS There followed a dreadful disaster, whether fortuitously or by the wicked contrivance of the prince is not determined, for both are asserted by historians; but of all the calamities which ever befell this city from the rage of fire, this was the most terrible and severe. It broke out in that part of the Circus which is contiguous to mounts Palatine and Caelius, where, by reason of shops in which were kept such goods as minister aliment to fire, the moment it commenced it acquired strength, and, being accelerated by the wind, it spread at once through the whole extent of the Circus: for neither were the houses secured by enclosures nor the temples environed with walls, nor was there any other obstacle to intercept its progress; but the flame, spreading every way impetuously, invaded first the lower regions of the city, then mounted to the higher; then again ravaging the lower, it baffled every effort to extinguish it, by the rapidity of its destructive course, and from the liability of the city to conflagration, in consequence of the narrow and intricate alleys, and the irregularity of the streets in ancient Rome. Add to this the wailings of terrified women, the infirm condition of the aged, and the helplessness of childhood; such as strove to provide for themselves and those who labored to assist others; these dragging the feeble, those waiting for them; some hurrying, others lingering; altogether created a scene of universal confusion and embarrassment: and wh
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