of the air-cross. On either hand of this the ornaments are
different though similar.
A curious resemblance may be traced between the positions, etc., of
these two staves and those of the figure on p. 563, vol. iv, of
BANCROFT'S _Native Races_, which is a Mexican stone. Again, this latter
figure has at its upper right-hand corner a crouching animal (?) very
similar to the gateway ornament given in the same volume, p. 321. This
last is at Palenque. I quote these two examples in passing simply to
reinforce the idea of similarity between the sacred sculptures of
Yucatan and Mexico.
I take it that the examination of which I have sketched the details will
have left no doubt but that the personage of Fig. 52 is truly
_Huitzilopochtli_, the Yucatec representative of HUITZILOPOCHTLI; that
Plate LXI (Fig. 58) is the same personage; that Plate LX (Fig. 59)
represents TLALOC; and that Plate XXIV (Fig. 60) is a tablet relating to
the service of these two gods.
I have previously shown that the Palenque hieroglyphs are read in order
from left to right. We should naturally expect, then, that the sign for
_Tlaloc_ or for _Huitzilopochtli_ would occupy the upper left-hand
corner of Plate XXIV. In fact it does, and I was led to this discovery
in the way I have indicated.
No. 37 is the Palenque manner of writing the top sign of Fig. 52. I
shall call the signs of Fig. 52 _a_, _b_, _c_, etc., in order downwards.
The crouching face in _a_ occupies the lower central part of No. 37.
Notice also that this face occurs below the small cross in the detached
ornament to the left of the central mask of Fig. 60. The crescent moon
of Plate LXI (Fig. 58) is on its cheek; back of this is the sun-sign;
the cross of _a_ is just above its eye; the three signs for the
celestial concave are at the top of 37, crossed with rain bands; the
three seeds (?) are below these. The feathers are in the lower
right-hand two-thirds. This is the sign or part of the sign for
_Huitzilopochtli_. If a Maya Indian had seen either of these signs a few
centuries ago, he would have had the successive ideas--a war-god, with a
feather-symbol, related to sun and moon, to fertilizing rain and
influences, to clouds and seed; that is _Huitzilopochtli_, the companion
of _Tlaloc_. Or if he had seen the upper left-hand symbol of the
Palenque cross tablet (1800), he would have had _related_ ideas, and so
on.
What I have previously said about the faithfulness with which the
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