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administration in 1263, after the war between the town and Walter of Geroldseck; however, the canons did no better and in 1290 the magistrate of the city was obliged to take back from them the management of the revenues. The estate and income of the _[OE]uvre_, employed only for keeping in good order and for repairing the Cathedral church, are still managed like other property that belongs to the city; the collector of the revenues is appointed by the city corporation, who also names the architect and sculptor of the _[OE]uvre_. The receiver's office is in a handsome house (_Frauenhaus_), built in 1581, after the taste of those times, situated opposite the South side of the Cathedral. In that house, where the old plans of the church and the pieces of the old clockwork, above mentioned, are carefully preserved, we have also to admire the light and elegant construction of the staircase. * * * * * TRANSCRIBER'S NOTES The following changes have been made as needed to facilitate reading: standardized punctuation and accents, moved illustrations, and renumbered and moved footnotes. Additional changes are listed below: Page 7: Changed "enthousiasm" to "enthusiasm" for consistency. Page 16: Changed "pittoresqu s" to "pittoresques" and "counter-forts" to "counterforts." Pages 20 and 34: Changed "doomsday" and "dooms-day" to "Dooms-day" for consistency. Page 21: The phrase "if tine" matches the original text. Page 22: Changed "Landsburg" to "Landsberg." Page 23: Changed "plat-form" to "platform." Page 24: The measurement "0m .460" matches the original text. Page 26: Changed typo "is" to "it" and changed "bizantine" to "byzantine" for consistency. Page 32: Changed "clock-work" to "clockwork." Page 40: Changed typo "eigtheenth" to "eighteenth." ***END OF THE PROJECT GUTENBERG EBOOK HISTORICAL SKETCH OF THE CATHEDRAL OF STRASBURG*** ******* This file should be named 22990.txt or 22990.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/2/9/9/22990 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United Sta
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