HT FOR THE LADY OF CASTLE PERILOUS
XVI. HOW SIR GARETH RETURNED TO THE COURT OF KING ARTHUR
XVII. HOW YOUNG TRISTRAM SAVED THE LIFE OF THE QUEEN
OF LYONESSE
XVIII. SIR TRISTRAM'S FIRST BATTLE
XIX. SIR TRISTRAM AND THE FAIR ISOUD
XX. HOW SIR TRISTRAM DEMANDED THE FAIR ISOUD FOR KING MARK,
AND HOW SIR TRISTRAM AND ISOUD DRANK THE LOVE POTION
XXI. HOW SIR TRISTRAM DEPARTED FROM TINTAGIL, AND WAS LONG
IN THE FOREST
XXII. HOW KING MARK WAS SORRY FOR THE GOOD RENOWN
OF SIR TRISTRAM
XXIII. HOW SIR PERCIVALE OF GALIS SOUGHT AND FOUND
SIR LAUNCELOT
XXIV. OF THE COMING OF SIR GALAHAD
XXV. HOW THE QUEST OF THE HOLY GRAIL WAS BEGUN
XXVI. HOW GALAHAD GAT HIM A SHIELD
XXVII. SIR GALAHAD AT THE CASTLE OF MAIDENS
XXVIII. SIR LAUNCELOT'S REPENTANCE
XXIX. SIR PERCIVALE'S TEMPTATION
XXX. THE VICTORY OF SIR BORS OVER HIMSELF
XXXI. HOW SIR LAUNCELOT FOUND THE HOLY GRAIL
XXXII. THE END OF THE QUEST
XXXIII. SIR LAUNCELOT AND THE FAIR MAID OF ASTOLAT
XXXIV. OF THE GREAT TOURNAMENT ON CANDLEMAS DAY
XXXV. QUEEN GUENEVER'S MAY-DAY RIDE AND WHAT CAME OF IT
XXXVI. OF THE PLOT AGAINST SIR LAUNCELOT
XXXVII. HOW SIR LAUNCELOT DEPARTED FROM THE KING AND
FROM JOYOUS GARD
XXXVIII. HOW KING ARTHUR AND SIR GAWAINE INVADED
SIR LAUNCELOT'S REALM
XXXIX. OF SIR MORDRED'S TREASON
XL. OF ARTHUR'S LAST GREAT BATTLE IN THE WEST
XLI. OF THE PASSING OF KING ARTHUR
XLII. OF THE END OF THIS BOOK

ILLUSTRATIONS

KING ARTHUR . . . . . . . . . . . . (W. B. Margetson) _Frontispiece_

THE DEDICATION . . . . . . . . . . . (J. Pettie, R.A.)

MERLIN AND NIMUE . . . . . . . . . . (Burne-Jones)

SIR TRISTRAM AND THE FAIR ISOUD . . (D. G. Rosetti)

SIR GALAHAD . . . . . . . . . . . . (G. F. Watts)

SIR LAUNCELOT AT THE CROSS . . . . . (Stella Langdale)

ELAINE . . . . . . . . . . . . . . . (J. M. Strudwick)

THE PASSING OF ARTHUR . . . . . . . (Stella Langdale)

"We have from the kind Creator a variety of mental powers, to which we
must not neglect giving their proper culture in our earliest years, and
which cannot be cultivated either by logic or metaphysics, Latin or
Greek. We have an imagination, before which, since it should not seize
upon the very first conceptions that chance to present themselves, we
ought to place the fittest and most beautiful images, and thus