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The Project Gutenberg eBook, The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8), by Giorgio Vasari This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8) Author: Giorgio Vasari Release Date: April 24, 2007 [eBook #21212] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE LIVES OF THE PAINTERS, SCULPTORS & ARCHITECTS, VOLUME 1 (OF 8)*** E-text prepared by Roy Brown THE LIVES OF THE PAINTERS, SCULPTORS & ARCHITECTS by GIORGIO VASARI In Eight Volumes Vol. One CONTENTS CIMABUE (1240-1302) ARNOLFO DI LAPO (1232-1310) BONANNO (fl. 1174-1186 LAPO (1190-1260) NICCOLA AND GIOVANNI PISANI fl 1205, 1278, 1250-1328) ANDREA TAFI (1250-1320) GADDO GADDI (1259-1333) MARGARITONE (1210-1293) GIOTTO (1267-1337) PUCCIO CAPANNA (fl. 1350) AGOSTINO AND AGNOLO (fl. 1286-1330) STEFANO AND UGOLINO (1301-1350, 1260-1339) PIETRO LAURATI (died c. 1350) ANDREA PISANO (1270-1348) BUONAMICO BUFFALMACCO (fl. 1311-1351) AMBRUOGIO LORENZETTI (died c. 1338) PIETRO CAVALLINI (1259-1334) SIMONE MARTINI AND LIPPO MEMMI (1285-1344; died 1357) PREFACE TO THE LIVES I am aware that it is commonly held as a fact by most writers that sculpture, as well as painting, was naturally discovered originally by the people of Egypt, and also that there are others who attribute to the Chaldeans the first rough carvings of statues and the first reliefs. In like manner there are those who credit the Greeks with the invention of the brush and of colouring. But it is my opinion that design, which is the creative principle in both arts, came into existence at the time of the origin of all things. When the Most High created the world and adorned the heavens with shining lights, His perfect intellect passing through the limpid air and alighting on the solid earth, formed man, thus disclosing the first form of sculpture and painting in the charming invention of things. Who will deny that from this man, as from a living example, the ideas of statues and sculpture, and the questions of pose
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