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coal tar, and then filled with light wood shavings, and the latter set alight. The effect of this treatment will be to render the iron practically proof against rust for an indefinite period, rendering future painting unnecessary. It is important, of course, that the iron should not be made too hot, or kept hot for too long a time, lest the tar should be burnt off. The following is a varnish for iron and steel given by a recognized authority: 5 parts of camphor and elemi, 15 parts of sandarach, and 10 parts of clear grains of mastic, are dissolved in the requisite quantity of alcohol, and applied cold. Another good black enamel for small articles can be made by mixing 1 lb. of asphaltum with 1 lb. of resin in 4 lb. of tar oil, well heating the whole in an iron vessel before applying. A good brown japan can be prepared by separately heating equal quantities of amber and asphaltum, and adding to each one-half the quantity by weight of boiled linseed oil. Both compounds are then mixed together. Copal resin may be substituted for the amber, but it is not so durable. Oil varnish made from amber is highly elastic. If it is used to protect tin-plate printing, when the plates after stoving have been subsequently rolled so as to distort the letters, the varnish has in no way suffered, and its surface remains unbroken. A bronzing composition for coating iron consists of 120 parts mercury, 10 parts tin, 20 parts green vitriol, 120 parts water, and 15 parts hydrochloric acid of 1.2 specific gravity. SECTION VI. PROCESSES FOR TIN-PLATING. In these days of making everything look what it is not, perhaps the best and cheapest substitute for silver as a white coating for table ware, culinary vessels, and the many articles requiring such a coating, is pure tin. It does not compare favourably with silver in point of hardness or wearing qualities, but it costs very much less than silver, is readily applied, and can be easily kept clean and bright. In tinning hollow ware on the inside the metal article is first thoroughly cleansed by pickling it in dilute muriatic or sulphuric acid and then scouring it with fine sand. It is then heated over a fire to about the melting-point of tin, sprinkled with powdered resin, and partly filled with melted pure grain tin covered with resin to prevent its oxidation. The vessel is then quickly turned and rolled about in every direction, so as to bring every part of the surface to be
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