purpose in recalling the haunts once familiar to him about Oxford?
Why the mention of the Scholar-Gipsy? What is the significance of the
"tree" so frequently alluded to in the poem? Discuss stanzas 4 and 5
as to meaning. To what is Thyrsis (Clough) likened in stanzas 6, 7,
and 8? Where, however, is there a difference? Apply ll. 81-84 to
Clough and Arnold. How do you explain the "easy access" of the Dorian
shepherds to Proserpine, l. 91? What digression is made in ll.
131-150? What is the poet's attitude toward life? Why will he not
despair so long as the "lonely tree" remains? What comparison does
he make between Clough and the Scholar-Gipsy? What is the "gracious
light," l. 201? Where found? What voice whispers to him amid the
"heart-wearying roar" of the city? What effect does it have upon him?
Does it give him courage or fortitude? Discuss the verse form and
diction of the poem.
RUGBY CHAPEL
_Rugby Chapel_ (1857), one of Arnold's best-known and most
characteristic productions, was written in memory of his father, Dr.
Thomas Arnold, famous as the great head-master at Rugby. Dr. Arnold
was born at East Cowes in the Isle of Wight, June 13, 1795, and as a
boy was at school at Warminster and Winchester. In 1811 he entered
Corpus Christi College, Oxford, and having won recognition as a
scholar, was awarded a fellowship of the Oriel in 1815. Three years
later he settled at Laleham, where, in 1820, he married Mary Penrose,
daughter of Justice Penrose, and where, two years later, was born
Matthew, who was destined to win marked distinction among English men
of letters. In 1827 he was elected head-master at Rugby, and shortly
afterward began those important reforms which have placed him among
the greatest educators of his century. Chief among his writings is
his _History of Rome_, published in several volumes. In 1841 he was
appointed Regius Professor of History at Oxford. He died very suddenly
on Sunday, June 12, 1842, and on the following Friday his remains
were interred in the chancel of Rugby Chapel, immediately under the
communion table. [210]
In his poem Arnold has drawn a vivid picture of a strong, helpful,
hopeful, unselfish soul, cheering and supporting his weaker comrades
in their upward and onward march--a picture of the guide and companion
of his earlier years; and in so doing he has preserved his father's
memory to posterity in a striking and an abiding
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