g a study of law,
while his heart was set on music. Yielding to her wishes for a time he
went to Leipsic in March 1828 to prepare to enter the University as
a student of law. He also gained consent to study piano at the same
time, and began lessons with Frederick Wieck. The desire to study with
Wieck was inspired by the piano playing of his little daughter, Clara,
then nine years old, who had already gained a considerable degree of
musical culture and promised to make her mark as a pianist.
Under his new teacher, Robert for the first time was obliged to study
a rational system of technic and tone production. He was also expected
to learn harmony correctly, but strangely enough he seemed to take no
interest in it, even saying he thought such knowledge useless. He held
to this foolish idea for some time, not giving it up till forced to by
realizing his total ignorance of this branch of the art.
Robert now became greatly impressed by the genius of Franz Schubert.
He eagerly played everything the master had composed for the piano,
both for two and four hands, and Schubert's death during this year,
filled him with profound grief. The young musical friends with whom
Robert had become intimate, while living in Leipsic, shared his
enthusiasm about his hero of German song, and they desired to enlarge
their knowledge of Schubert's work. They did more, for they decided
to take one representative composition and practise together till they
had reached the highest perfection. The choice fell on the Trio in B
flat major, Op. 99, whose beauties had greatly impressed them. After
much loving labor the performance was well nigh perfect. Schumann
arranged a musical party at which the Trio was played. Besides
students and friends, Wieck was invited and given the seat of honor.
This musical evening was the forerunner of many others. Weekly
meetings were held in Robert's room, where much music was played
and discussed. The talk often turned to grand old Bach and his
"Well-tempered Clavichord," to which in those early days, he gave
ardent study.
With all this music study and intercourse with musical friends there
was very little time left for the study of law. Yet he still kept
up appearances by attending the lectures, and had intended for some
months to enter the Heidelberg University. This decision was put into
execution in May 1829, when he started by coach for Heidelberg.
We find Robert Schumann at nineteen domiciled in the beau
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