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ed the wisdom of men disappeared by enchantment. Then the great scholars assembled: those who were engaged in mathematics, in physics, in chemistry, in astronomy, in poetry, in history, and in other arts and letters. They held counsel and said: "We are the custodians of human genius. We will recall the noblest inventions of the wisest of men and the greatest of poets and have them graven in immortal marble. They will represent only the supreme summits of achievement since the beginning of the world. Pascal shall be entitled to but one thought, Newton to but one star, Darwin to but one insect, Galileo to but one grain of dust, Tolstoi to but one charity, Heinrich Heine to but one verse, Shakespeare to but one cry, Wagner to but one note...." Then as the scholars summoned their thoughts to recall the masterpieces indispensable to the salvation of man, they realized with terror that their brains were void. THE TWO GREAT ACTRESSES I wish I could find new words to depict the gentleness of a little prostitute whom we met one evening in the center of a large, almost deserted square. The little prostitute was wearing wretched boots that were too large and soaked up the water. She had a parasol covered like an umbrella, and a little straw hat, the lining of which surely bore the words: _Derniere mode_. She had a weak little voice, and she was intelligent. She was recovering, as the expression goes, from pleurisy. Moreover, she had the air of being as frail morally as physically. I encountered her many times, after ten o'clock, when she was weary with seeking, often in vain, for any first-comer who would go with her. She sat down on a bench in the shadows, beside me, and rested her poor pale head against me. I knew that when she did this it was somewhat with the feeling of slight consolation, like that of a poor animal when it no longer feels itself abused. I was held by an infinite pity for this friend. I knew that she looked at her trade as an important task, however ungrateful it was. For a long time she waited thus for the train to the suburb where she lived. One evening she asked if she might go with me to the end of the street. We came to a great lighted square where there was a large theater. On one of the pillars of this edifice was a brilliant, gilded poster. It represented Sarah Bernhardt in the costume of Tosca, I believe. She wore a stiff rich robe and held a palm in her hand. And
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