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new joyous mood frightens away the birds of evil omen. Right in the midst of happenings, we must be warned against too close a view of individual theme. We must not forget that it is on the contrasted pairs and again the separate groups of phrases, where all have a certain common modal purpose, that lies the main burden of the story. Still if we must be curious for fine derivation, we may see in the new tune of exultant chorus the late graceful turn that now, reversing, ends in the former rising phrase. Against it sings the first line of blissful theme. And the first tune of graceful beauty also finds a place. But they all make one single blended song, full of glad bursts and cadences. Hardly dimmed in mood, it turns suddenly into a phase of languorous passion, in rich setting of pulsing harp, where now the later figures, all but the blissful theme, vanish before an ardent song of the wondering phrase. The motive of passionate desire rises and falls, and soars in a path of "endless melody," returning on its own line of flight, playing as if with its shadow, catching its own echo in the ecstasy of chase. And every verse ends with a new stress of the insistent upward stride, that grows ever in force and closes with big reverberating blasts. The theme of the vision joins almost in rough guise of utmost speed, and the rude marching song breaks in; somehow, though they add to the maze, they do not dispel the joy. The ruling phase of passion now rumbles fiercely in lowest depths. The theme of beauty rings in clarion wind and strings, and now the whole strife ends in clearest, overwhelming hymn of triumphant gladness, all in the strides of the old wondering, striving phrase. [Music] The whole battle here is won. Though former moments are fought through again (and new melodies grow out of the old plaint), the triumphant shout is near and returns (ever from a fresh tonal quarter) to chase away the doubt and fear. All the former phrases sing anew, merging the tale of their strife in the recurring verse of united paean. The song at last dies away, breaking like setting sun into glinting rays of celestial hue, that pale away into dullest murmur. Still one returning paroxysm, of wild striving for eluding bliss, and then comes the close. From lowest depths shadowy tones sing herald phrases against dim, distorted figures of the theme of beauty,--that lead to a soft song of the triumphant hymn, _tranquillo_, in gentlest wh
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