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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Volume 13, No. 362, Saturday, March 21, 1829 Author: Various Release Date: June 3, 2004 [EBook #12498] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE *** Produced by Jonathan Ingram, David Garcia and the Online Distributed Proofreading Team. THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. XIII, NO. 362.] SATURDAY, MARCH 21, 1829. [PRICE 2d. * * * * * [Illustration: CHESTER TERRACE, REGENT'S PARK.] CHESTER TERRACE, REGENT'S PARK. On the annexed page is a spirited representation of this splendid range of palatial residences, which present as noble an appearance as any similar structure in the Park. To familiarize the topography of Chester Terrace, we should say it stands between the Colosseum and St. Katharine's Church, these being the most conspicuous buildings in the circle; and the majestic cupola of the former building is shown in the distance of our engraving. This terrace is named from the royal earldom of Chester. It is from the designs of Mr. Nash, the architect of York Terrace engraved in our No. 358. Like the majority of that gentleman's works, Chester Terrace evinces great genius, with many of its irregularities. It is of the Corinthian order of architecture, characterized by its richness; but the present specimen is weak in its details, and the form and proportions of its balustrade are starved and lanky. The capitals of the columns want the gracefulness of the Corinthian, and the volutes are but puny illustrations of that beautiful order. Leaving these defects to be further scrutinized by the more critical spectator, we cannot fail to be impressed with this grand and commanding terrace; the composition exhibits great genius and powerful conception; and the effect of the whole would be extremely beautiful, were it not for the defective details. At each end of the terrace is a Corinthian arch, the idea of which is altoge
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