sors of the latter have, to compare themselves with the
former. 'The painter indeed (says he) has to do with the passions, but
then they are such passions only, as discover themselves in the
countenance; but the poet is to do more, he is to trace the rise of
those passions, to watch their gradations, to pain their progress, and
mark them in the heart in their genuine conflicts; and, continues he,
the disproportion between the soul and the body, is not greater than the
disproportion between the painter and the poet.
Dr. Trapp is author of a tragedy called Abramule, or Love and Empire,
acted at the New Theatre at Lincoln's-Inn-Fields, 1704, dedicated to the
Right Honourable the Lady Harriot Godolphin. Scene Constantinople. The
story is built upon the dethronement of Mahomet IV.
Our author has likewise written a piece called The Church of England
Defended against the False Reasoning of the Church of Rome. Several
occasional poems were written by him in English; and there is one Latin
poem of his in the Musae Anglicanae. He has translated the Paradise Lost
into Latin Verse, with little success, and, as he published it at his
own risk, he was a considerable loser. The capital blemish of that work,
is, the unharmonious versification, which gives perpetual offence to the
ear, neither is the language universally pure.
He died in the month of November 1747, and left behind him the character
of a pathetic and instructive preacher, a profound scholar, a discerning
critic, a benevolent gentleman, and a pious Christian.
We shall conclude the life of Dr. Trapp with the following verses of Mr.
Layng, which are expressive of the Dr's. character as a critic and a
poet. The author, after applauding Dryden's version, proceeds thus in
favour of Trapp.
Behind we see a younger bard arise,
No vulgar rival in the grand emprize.
Hail! learned Trapp! upon whose brow we find
The poet's bays, and critic's ivy join'd.
Blest saint! to all that's virtuous ever dear,
Thy recent fate demands a friendly tear.
None was more vers'd in all the Roman store,
Or the wide circle of the Grecian lore,
Less happy, from the world recluse too long,
In all the sweeter ornaments of song;
Intent to teach, too careless how to please,
He boasts in strength, whate'er he wants in ease.
FOOTNOTE
[1] By his last Will he ordered a copy of that book to be given to each
of his parishioners, that when he could no longer speak to the
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