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nd such a poem was composed not later than a particular year. When the precise date is undiscoverable, I have thought it best to place the poem in or immediately before the year in which it was first published. Poems which were several years in process of composition, having been laid aside, and taken up repeatedly; 'e.g. The Prelude', which was composed between the years 1799 and 1805--are placed in the year in which they were finished. Disputable questions as to the date of any poem are dealt with in the editorial note prefixed or appended to it. There is one Poem which I have intentionally placed out of its chronological place, viz. the 'Ode, Intimations of Immortality from Recollections of Early Childhood'. It was written at intervals from 1803 to 1806, and was first published in the edition of 1807, where it stood at the end of the second volume. In every subsequent edition of the collected Works--1815 to 1850--it closed the groups of poems; 'The Excursion' only following it, in a volume of its own. This was an arrangement made by Wordsworth, of set purpose, and steadily adhered to--the 'Ode' forming as it were the High Altar of his poetic Cathedral. As he wished it to retain that place in subsequent editions of his Works, it retains it in this one. Mr. Arnold's arrangement of the Poems, in his volume of Selections [4], is extremely interesting and valuable; but, as to the method of grouping adopted, I am not sure that it is better than Wordsworth's own. As a descriptive title, "Poems of Sentiment and Reflection" is quite as good as "Poems akin to the Antique," and "Poems of the Fancy" quite as appropriate as "Poems of Ballad Form." Wordsworth's arrangement of his Poems in groups was psychologically very interesting; but it is open to many objections. Unfortunately Wordsworth was not himself consistent--in the various editions issued by himself--either in the class into which he relegated each poem, or the order in which he placed it there. There is tantalising topsy-turvyism in this, so that an editor who adopts it is almost compelled to select Wordsworth's latest grouping, which was not always his best. Sir William Rowan Hamilton wrote to Mr. Aubrey de Vere in 1835 that Dora Wordsworth told him that her father "was sometimes at a loss whether to refer her to the 'Poems of the Imagination,' or the 'Poems of the Fancy,' for some particular passage." Aubrey de Vere himself considered Wordsworth's arrangeme
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