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ho was the truth, at _herself_. This woman before her was only a counterfeit, a marvellously clever artificiality. There were two electric lights at the sides of the mirror. She turned them both on. She wanted crude light just then. Cruelty she was taking to her bosom. She was grasping her nettle with both hands. Yes, the artificiality was marvellously clever! The Greek had been worth his money. He had created a sort of human orchid whose petals showed few, wonderfully few, signs of withering. But she had wanted to be not the orchid but really the rose. And so she was down in the dust. Poor old Adela Sellingworth, who in a very short time--how long exactly would the Greek's work take to crumble--would look even older than fifty! She turned out the lights presently and got into bed. When she had made the big bedroom dark, and had stretched her long body out between the sheets of Irish linen, she felt terrifically tired, tired in body and spirit, but somehow not in mind. Her mind was almost horribly alive and full of agility. It brought visions before her; it brought voices into her ears. She saw men of the underworld sitting together in shadows and whispering about her, using coarse words, undressing her character, commenting upon it without mercy, planning how they would make use of it to their advantage. She heard them laughing about her and about all the women like her. And presently she saw an old woman with a white face, a withered throat and vague eyes, an old woman in a black wig, smiling as she decked herself out in the Sellingworth jewels. PART THREE CHAPTER I Miss Van Tuyn, enthroned among distinguished and definite Georgians in a nimbus of smoke, presently began to wonder what had become of a certain young man. Despite the clamour of voices about her, and the necessity for showing incessantly that, although she had never bothered to paint cubist pictures or to write minor poetry, or even to criticize and appreciate meticulously those who did, she was cleverer than any Georgian of them all, her mind would slip away to Berkeley Square. She had, of course, noted young Craven's tacit resistance to the pressure of her desire, and her girlish vanity had resented it. But she had remembered that even in these active days of the ruthless development of the ego a sense of politeness, of what is "due" from one human being to another, still lingers in some perhaps old-fashioned bosoms. Lad
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