d it's
mournful to think that somehow you contrive to get the pick of us in the
girls! If ever we 're united, 'twill be by a trick of circumvention of
that sort, pretty sure. There's a turn in the market when they shut their
eyes and drop to the handiest: and London's a vortex that poor dear dull
old Dublin can't compete with. I 'll beg you for the address of the lady
her friend, Lady Dunstane.'
Mr. Sullivan Smith walked with Redworth through the park to the House of
Commons, discoursing of Rails and his excellent old friend's rise to the
top rung of the ladder and Beanstalk land, so elevated that one had to
look up at him with watery eyes, as if one had flung a ball at the
meridian sun. Arrived at famed St. Stephen's, he sent in his compliments
to the noble patriot and accepted an invitation to dinner.
'And mind you read THE PRINCESS EGERIA,' said Redworth.
'Again and again, my friend. The book is bought.' Sullivan Smith slapped
his breastpocket.
'There's a bit of Erin in it.'
'It sprouts from Erin.'
'Trumpet it.'
'Loud as cavalry to the charge!'
Once with the title stamped on his memory, the zealous Irishman might be
trusted to become an ambulant advertizer. Others, personal friends,
adherents, courtiers of Redworth's, were active. Lady Pennon and Henry
Wilmers, in the upper circle; Whitmonby and Westlake, in the literary;
spread the fever for this new book. The chief interpreter of public
opinion caught the way of the wind and headed the gale.
Editions of the book did really run like fires in summer furze; and to
such an extent that a simple literary performance grew to be respected in
Great Britain, as representing Money.
CHAPTER XVIII
THE AUTHORESS
The effect of a great success upon Diana, at her second literary venture,
was shown in the transparent sedateness of a letter she wrote to Emma
Dunstane, as much as in her immediate and complacent acceptance of the
magical change of her fortunes. She spoke one thing and acted another,
but did both with a lofty calm that deceived the admiring friend who
clearly saw the authoress behind her mask, and feared lest she should be
too confidently trusting to the powers of her pen to support an
establishment.
'If the public were a perfect instrument to strike on, I should be
tempted to take the wonderful success of my PRINCESS at her first
appearance for a proof of natural aptitude in composition, and might
think myself the genius. I know it
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