nd flicks of the sword-edge, in which Werner first
drew blood by a keen sweep along the forehead of the Goshawk. Guy had
allowed him to keep his position on the board, and still fought at his
face and neck. He now jerked back his body from the hip, and swung a
round stroke at Werner's knee, sending him in retreat with a snort of
pain. Before the Baron could make good his ground, Guy was level with him
on the board.
Werner turned an upbraiding howl at his men. They were not disposed to
second him yet. They one and all approved his personal battle with Fate,
and never more admired him and felt his power; but the affair was
exciting, and they were not the pillars to prop a falling house.
Werner clenched his two hands to his ponderous glaive, and fell upon Guy
with heavier fury. He was becoming not unworth the little womanly
appreciation Margarita was brought to bestow on him. The voice of the
Water-Lady whispered at her heart that the Baron warred on his destiny,
and that ennobles all living souls.
Bare-headed the combatants engaged, and the headpiece was the chief point
of attack. No swerving from blows was possible for either: ward, or take;
a false step would have ensured defeat. This also induced caution. Many a
double stamp of the foot was heard, as each had to retire in turn.
'Not at his head so much, he'll bear battering there all night long,'
said Henker Rothhals in a breathing interval. Knocks had been pretty
equally exchanged, but the Baron's head certainly looked the least
vulnerable, whereas Guy exhibited several dints that streamed freely. Yet
he looked, eye and bearing, as fresh as when they began, and the calm,
regular heave of his chest contrasted with Werner's quick gasps. His
smile, too, renewed each time the Baron paused for breath, gave Margarita
heart. It was not a taunting smile, but one of entire confidence, and
told all the more on his adversary. As Werner led off again, and the
choice was always left him, every expression of the Goshawk's face passed
to full light in his broad eyes.
The Baron's play was a reckless fury. There was nothing to study in it.
Guy became the chief object of speculation. He was evidently trying to
wind his man.
He struck wildly, some thought. Others judged that he was a random
hitter, and had no mortal point in aim. Schwartz Thier's opinion was
frequently vented. 'Too round a stroke--down on him! Chop-not slice!'
Guy persevered in his own fashion. According t
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