er mother required schooling to tell the story
vindicatingly and proudly, in a manner to distinguish instead of
degrading or temporarily seeming to accept degradation.
The world would weigh on her confession of the weight of the world on her
child; she would want inciting and strengthening, if one judged of her
capacity to meet the trial by her recent bearing; and how was he to do
it! He could not imagine himself encountering the startled, tremulous,
nascent intelligence in those pure brown darklashed eyes of Nesta; he
pitied the poor mother. Fancifully directing her to say this and that to
the girl, his tongue ran till it was cut from his heart and left to wag
dead colourless words.
The prospect of a similar business of exposition, certainly devolving
upon the father in treaty with the fortunate youth, gripped at his vitals
a minute, so intense was his pride in appearing woundless and scarless, a
shining surface, like pure health's, in the sight of men. Nevertheless he
skimmed the story, much as a lecturer strikes his wand on the prominent
places of a map, that is to show us how he arrived at the principal
point, which we are all agreed to find chiefly interesting. This with
Victor was the naming of Nesta's bridal endowment. He rushed to it. 'My
girl will have ten thousand a year settled on her the day of her
marriage.' Choice of living at Lakelands was offered.
It helped him over the unpleasant part of that interview. At the same
time, it moved him to a curious contempt of the youth. He had to
conjure-up an image of the young man in person, to correct the
sentiment:--and it remained as a kind of bruise only half cured.
Mr. Dudley Sowerby was not one of the youths whose presence would rectify
such an abstract estimate of the genus pursuer. He now came frequently of
an evening, to practise a duet for flutes with Victor;--a Mercadante,
honeyed and flowing; too honeyed to suit a style that, as Fenellan
characterized it to Nataly, went through the music somewhat like an
inquisitive tourist in a foreign town, conscientious to get to the end of
the work of pleasure; until the notes had become familiar, when it rather
resembled a constable's walk along the midnight streets into collision
with a garlanded roysterer; and the man of order and the man of passion,
true to the measure though they were, seeming to dissent, almost to
wrangle, in their different ways of winding out the melody, on to the
last movement; which was
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