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ke the swan in the old story. The French poet, Gilbert, who died at the Hotel Dieu, at the age of twenty-nine,--(killed by a key in his throat, which he had swallowed when delirious in consequence of a fall,)--this poor fellow was a very good example of the poet by excess of sensibility. I found, the other day, that some of my literary friends had never heard of him, though I suppose few educated Frenchmen do not know the lines which he wrote, a week before his death, upon a mean bed in the great hospital of Paris. "Au banquet de la vie, infortune convive, J'apparus un jour, et je meurs; Je meurs, et sur ma tombe, ou lentement j'arrive, Nul ne viendra verser des pleurs." At life's gay banquet placed, a poor unhappy guest, One day I pass, then disappear; I die, and on the tomb where I at length shall rest No friend shall come to shed a tear. You remember the same thing in other words some where in Kirke White's poems. It is the burden of the plaintive songs of all these sweet albino-poets. "I shall die and be forgotten, and the world will go on just as if I had never been;--and yet how I have loved! how I have longed! how I have aspired!" And so singing, their eyes grow brighter and brighter, and their features thinner and thinner, until at last the veil of flesh is threadbare, and, still singing, they drop it and pass onward. --Our brains are seventy-year clocks. The Angel of Life winds them up once for all, then closes the case, and gives the key into the hand of the Angel of the Resurrection. Tic-tac! tic-tac! go the wheels of thought; our will cannot stop them; they cannot stop themselves, sleep cannot still them; madness only makes them go faster; death alone can break into the case, and, seizing the ever-swinging pendulum, which we call the heart, silence at last the clicking of the terrible escapement we have carried so long beneath our wrinkled foreheads. If we could only get at them, as we lie on our pillows and count the dead beats of thought after thought and image after image jarring through the overtired organ! Will nobody block those wheels, uncouple that pinion, cut the string that holds those weights, blow up the infernal machine with gunpowder? What a passion comes over us sometimes for silence and rest!--that this dreadful mechanism, unwinding the endless tapestry of time, embroidered with spectral figures of life and death, could have but one brief holiday! Who can wonde
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