ke the swan in the old story. The French poet, Gilbert,
who died at the Hotel Dieu, at the age of twenty-nine,--(killed by
a key in his throat, which he had swallowed when delirious in
consequence of a fall,)--this poor fellow was a very good example
of the poet by excess of sensibility. I found, the other day, that
some of my literary friends had never heard of him, though I
suppose few educated Frenchmen do not know the lines which he
wrote, a week before his death, upon a mean bed in the great
hospital of Paris.
"Au banquet de la vie, infortune convive,
J'apparus un jour, et je meurs;
Je meurs, et sur ma tombe, ou lentement j'arrive,
Nul ne viendra verser des pleurs."
At life's gay banquet placed, a poor unhappy guest,
One day I pass, then disappear;
I die, and on the tomb where I at length shall rest
No friend shall come to shed a tear.
You remember the same thing in other words some where in Kirke
White's poems. It is the burden of the plaintive songs of all
these sweet albino-poets. "I shall die and be forgotten, and the
world will go on just as if I had never been;--and yet how I have
loved! how I have longed! how I have aspired!" And so singing,
their eyes grow brighter and brighter, and their features thinner
and thinner, until at last the veil of flesh is threadbare, and,
still singing, they drop it and pass onward.
--Our brains are seventy-year clocks. The Angel of Life winds them
up once for all, then closes the case, and gives the key into the
hand of the Angel of the Resurrection.
Tic-tac! tic-tac! go the wheels of thought; our will cannot stop
them; they cannot stop themselves, sleep cannot still them; madness
only makes them go faster; death alone can break into the case,
and, seizing the ever-swinging pendulum, which we call the heart,
silence at last the clicking of the terrible escapement we have
carried so long beneath our wrinkled foreheads.
If we could only get at them, as we lie on our pillows and count
the dead beats of thought after thought and image after image
jarring through the overtired organ! Will nobody block those
wheels, uncouple that pinion, cut the string that holds those
weights, blow up the infernal machine with gunpowder? What a
passion comes over us sometimes for silence and rest!--that this
dreadful mechanism, unwinding the endless tapestry of time,
embroidered with spectral figures of life and death, could have but
one brief holiday! Who can wonde
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