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book would savor only of the repetition of loves and enthusiasms already recorded in the previous work in which Walter Savage Landor formed the central figure. For that reason no mention of Florence, beyond some mere allusion, is attempted in these pages, which only aim to present certain fragmentary impressions of various sojourns in Italy, refracted through the prism of memory. Whatever inconveniences or discomfort attend the traveller swiftly fade, and leave to him only the precious heritage of resplendent sunset skies, of poetic association, of artistic beauty. In spirit he is again lingering through long afternoons in St. Peter's till the golden light through the far windows of the tribune is merged into the dusk of twilight in which the vast monumental groups gleam wraith-like. Again he is ascending the magnificent _Scala Regia_, and lingering in the Raphael Stanze, or in the wonderful sculpture galleries of the Vatican, or sauntering in the sunshine on the Palatine. In memory he is again spellbound by ancient and mediaeval art. In the line of modern sculpture the work of Franklin Simmons in Rome is a feature of Italy that haunts the imagination. No lover of beauty would willingly miss his great studios in the Via San Nicolo da Tolentino, with their wealth of ideal creations that contribute new interest to the most divine of all the arts. "The world of art is an ideal world,-- The world I love, and that I fain would live in; So speak to me of artists and of art, Of all the painters, sculptors, and musicians That now illustrate Rome." The mystic charm of the pilgrimage to Assisi; the romance that reflects itself in the violet seas and flaming splendors of the sky on the shores of Ischia and Capri; the buried treasures of Amalfi; the magnetic impressiveness of the Eternal City,--all these enter into life as new forces to build and shape the future into undreamed-of destinies. L. W. THE BRUNSWICK, BOSTON, October Days, 1907. CONTENTS PAGE I THE PERIOD OF MODERN ART IN ROME 3 II SOCIAL LIFE IN THE ETERNAL CITY 127 III DAY-DREAMS IN NAPLES, AMALFI, AND CAPRI 227 IV A PAGE DE CONTI FROM ISCHIA 281 V VOICES OF ST. FRANCIS OF ASSISI 341 VI THE GLORY OF A VENETIAN JUNE
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