FREE BOOKS

Author's List




PREV.   NEXT  
|<   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278  
279   280   281   282   283   284   285   286   >>  
no one expects to see the true eternal Hiram arise in himself. (W. S. H., p. 94.) We find also in Wirth, how the work is divided into three main steps, which begin with the purifying, turn towards the inner soul, and end with the death-resembling Unio Mystica; here we find, too, in the last degree the unattainable ideal, which like a star in heaven shall give a sure course to the voyage of our life. The viewing of the exalted anagogic conception as a perspective vanishing point, makes allowance for the possible errors of superposition in the anagogic aspect of the elementary types. The tripartite division, which we meet in the great work, shows the frequently doubted inner qualification of the three degrees of freemasonry. As they answer a need, they have again prevailed, although they were not existent in the masonic form of the royal art at the beginning (about two centuries ago); I say "again," because similar needs have already earlier produced similar forms. (Cf. L. Keller's writings.) Whether we consider ethical education in general or the intensive (introversion) form of it, mysticism, we have in either case a process of development, and degrees are necessary to express it symbolically. The effort, appearing from time to time, to multiply the degrees has been justified. We can divide what is divided into three sections into seven also (7 operations in alchemy, 7 levels of contemplation, 7 ordinations, etc.), although it is not really needed. But the idea of abolishing the three degrees can only arise from a misapprehension of the value of the existing symbolism. That masonry is a union of equal rights is not affected by the presence of the degrees, provided that their symbolic significance is not overstepped. The degrees form a constituent part of the symbolic custom itself and like it are to be intangible. The symbols of all the lofty spiritual religious communities, for which the royal art presents itself as a paradigm or exemplar, put before us, as it were, types of truth. Single facts which the symbols may signify (or that could be read into the symbols) are not the most important, but rather the totality of all these meanings. The totality (which can be acquired only by a sort of integration) is something inexpressible; and if it also succeeded in expressing this inexpressible, the words of the expression would be incomprehensible to any finite spirit, as the individual facts are. The symbols are th
PREV.   NEXT  
|<   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278  
279   280   281   282   283   284   285   286   >>  



Top keywords:

degrees

 

symbols

 

anagogic

 

symbolic

 
similar
 

divided

 

inexpressible

 

totality

 
misapprehension
 

abolishing


spirit
 
existing
 

symbolism

 

alchemy

 

appearing

 

effort

 

multiply

 

symbolically

 

express

 

development


individual
 

justified

 

divide

 

ordinations

 

contemplation

 

needed

 
levels
 
finite
 

sections

 
operations

signify

 

important

 
expression
 

Single

 

integration

 
succeeded
 
expressing
 

meanings

 

acquired

 

overstepped


significance

 

constituent

 

custom

 
provided
 

presence

 
rights
 

affected

 

process

 

communities

 
presents