there used is taken up-stream and before
it has been soiled by its passage through the suburbs and city.
In the same pavilion the Administration has exhibited the plans and the
comparative views of the city taken at different epochs since 1789 up to
the last months of 1889. We here see the march of progress in this
immense city, expanding without cessation like a drop of oil, and as it
enlarges crossed by great arteries which establish across its mass
conduits for aeration, and at the same time suppress the agglomerations
of former days.
For artists and archaeologists and lovers of old Paris, whom these new
transformations displease and who regret the picturesque past, the
authorities have had the forethought to paint or photograph before
demolition the quarters which to-day have disappeared, or are on the
point of disappearing; and as a consolation such persons have very
pretty pictures by M. Pansyer, representing St. Julien le Pauvre, the
Rue Galande, the Place Maubert, the ruins of the Opera Comique, the
flower-covered relics of the Cour de Comptes; and there has even been
evoked for them the manor-houses of Clichy and Monceau such as they were
in 1789, and also the quarter of the Bastile, which can thus be compared
with their present aspect. Not far from these antiquities the City of
Paris has exhibited some decorative paintings executed for its various
_mairies_, the "Abreuvoir" and the "Lavoir" of M. D. A. Baudoin, and for
the _Mairie_ d' Arcueil-cachan "L' Automne et l'Ete," by M. A. Seon;
"The Marriage," by M. Glaize, and a fine painting, "The Defense of Paris
in 1814," by M. Schommer. Other compositions are signed by Cormon,
Gervex and Boulanger.
Finally, to make an end of the important works which she has caused to
be executed, the City of Paris exhibits models, at a reduced scale, of
the new Sorbonne, of the Ecole de Medicine, and of the Ecole Pratique,
at present in course of construction, also plans and photographs of
buildings erected during the last ten years, such as schools, _maries_,
etc. The department of sidewalks and plantations is represented by a
reduced model of the Crematory at Pere Lachaise, plans and views of the
new cemeteries at Pantin and Bagneux, as well as the future square of
Montmartre.
The second pavilion of the City of Paris is more especially consecrated
to instruction. After attending to the healthfulness of matter,
attention must be given to the healthfulness of the mind an
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