FREE BOOKS

Author's List




PREV.   NEXT  
|<   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68  
69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   >>   >|  
et" on the second and third floors. No? What reason, then, for imitating hotels, lodging-houses, double-barrelled tenements, and other public and semi-public buildings from which a short cut to the street is essential? Don't tell me you wish them to be ornamental as well as useful. I know that; but remember the stairs are built for the house, not the house for the stairs. You had better lose them wholly as an ornamental feature, than destroy the charm of what should be the most prepossessing portion of the interior. Moreover, they can have no pleasure-giving beauty if manifestly out of place,--a safe rule for general application. Build them where they will be most useful, that is, as near the centre of the house as possible; make them grand and gorgeous as the steps to an Oriental palace,--so broad and easy of ascent that the upward and onward way will be as tempting as were the Alps to Mr. Longfellow's aspiring youth. But keep them away from the front door,--out of the principal hall, which should be open, airy, and free, suggesting something besides an everlasting getting up stairs. If the staircase hall cannot be arranged at right angles to the main hall, an arch or ornamental screen may be introduced, partially separating the two and giving character to both. Have you been living in a city of late? It must be, else why so complacent with a narrow hall, steep, obtrusive stairs, and, O, why, tell me why, do you not fix the location of your windows with some regard to views, not only out of the house but through it. I remember one country dwelling built by a retired civilian in the inevitable city style; windows at the end giving a narrow view of the road in front, while the entire side walls were absolutely blank and bare, never so much as a knot-hole through which the occupants could get a glimpse of the field and forest that stretched broadly away at either side. I've no doubt the owner hung oil-paintings on his parlor walls, and thought them more lovely than all out-doors,--especially when he remembered their cost. The old Roman who declared his soldiers made a bigger racket with their arms than Jupiter with his thunderbolts, was modest beyond comparison with such a man. Your arrangement is not quite so bad as that of the aforesaid civilian, but, like hosts of others, you fail to make the most of your opportunities. Suppose you were able to secure for a small sum a landscape painted by one of the masters and este
PREV.   NEXT  
|<   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68  
69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   >>   >|  



Top keywords:

stairs

 

giving

 

ornamental

 
windows
 

narrow

 
civilian
 

public

 

remember

 
dwelling
 
opportunities

retired

 

inevitable

 
absolutely
 
aforesaid
 
entire
 

country

 

landscape

 

painted

 

obtrusive

 
complacent

masters

 
regard
 

secure

 

location

 

Suppose

 

remembered

 
modest
 
comparison
 

bigger

 

racket


Jupiter

 

soldiers

 

declared

 

thunderbolts

 

lovely

 

forest

 

stretched

 
broadly
 

arrangement

 

glimpse


occupants
 

parlor

 
thought
 
paintings
 
destroy
 

prepossessing

 

portion

 
feature
 
wholly
 

interior