FREE BOOKS

Author's List




PREV.   NEXT  
|<   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>  
sentation, merely, of a supernal world, higher-dimensional in relation to our own? Just as a moving picture shows us the round and living bodies of men and women as flat images on a plane, enacting there some mimic drama, so on the three-dimensional screen of the world men and women engaged in unfolding the drama of personal life may be but the images of souls enacting, on higher planes of being, the drama of their own salvation. The reluctance of the American aborigine to be photographed is said to have been due to his belief that something of his personality, his human potency, went into the image, leaving him by so much the poorer from that time forth. Suppose such indeed to be the case: that the flat-man on the moving picture screen leads his little life of thought and emotion, related to the mental and emotional life of the living original as the body is related to its photographic counterpart. In similar manner the potencies of the higher self, the dweller in higher spaces, may flow into and express themselves in and through us. We may be images in a world of images; our thoughts shadows of archetypal ideas, our acts a shadow-play upon the luminous screen of material existence, revealing there, however imperfectly, the moods and movements of a higher self in a higher space. The saying, "All the world's a stage," may be true in a sense Shakespeare never intended. It formulates, in effect, the oldest of all philosophical doctrines, that contained in the Upanishads of Brahma, the Enjoyer, who takes the form of a mechanically perfect universe in order to read his own law with eyes of his own creation. "He thought: 'Shall I send forth worlds?' He sent forth these worlds." To the question, "What worlds?" the Higher Space Hypothesis makes answer, "Dimensional systems, from lowest to highest, each one a _representation_ of the one next above, where it stands _dramatized_, as it were. This is the play of Brahm; endlessly to dissever, in time and space, and to unite in consciousness, like the geometrician who discovers every ellipse, parabola, and hyperbola, in the cone where all inhere." The particular act of the drama of unfolding consciousness upon which the curtain is now upfurled is that wherein we discover the world to be indeed a stage, a playground for forces masquerading as forms: "they have their exits and their entrances," or, as expressed in the Upanishads, "All that goes hence (dies on earth) heaven consu
PREV.   NEXT  
|<   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>  



Top keywords:
higher
 

images

 

screen

 
worlds
 

unfolding

 

consciousness

 

thought

 

picture

 

dimensional

 

Upanishads


related

 
moving
 

living

 
enacting
 
Higher
 

lowest

 

highest

 

Dimensional

 

Hypothesis

 

systems


answer

 

question

 

universe

 

mechanically

 

perfect

 
Enjoyer
 

Brahma

 

philosophical

 

doctrines

 

contained


creation

 

forces

 
masquerading
 

playground

 

discover

 

upfurled

 

heaven

 

entrances

 

expressed

 

curtain


endlessly
 
dissever
 

dramatized

 

stands

 

inhere

 
hyperbola
 

parabola

 
geometrician
 
discovers
 

ellipse