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gas on full. Christy Clarke gets out of armchair, and begins to arrange the periodicals that are on wooden chair. The corridor door opens. The man who appears is not the Master, however. He is the blind piper, Myles Gorman, who is dressed in the pauper garb. Myles Gorman is a Gael of the West of Ireland, with a face full of intellectual vigour. He is about sixty, and carries himself with energy. His face is pale and he has a fringe of a white beard. The eye-balls in his head are contracted, but it is evident he has some vestiges of sight. Before the others are aware who he is, he has advanced into the room. He stands there now turning the attentive face of the blind_. GORMAN Mister Muskerry! Are you there, Mister Muskerry? TOURNOUR What do you want, my oul' fellow? GORMAN _(with a puzzled look)_ Well, now, I've a favour to ask of your honour. TOURNOUR Be off out of this to your ward. GORMAN Is that Mister Muskerry? CHRISTY Mister Muskerry isn't here. GORMAN And who am I talking to? CHRISTY You are talking to Felix Tournour. GORMAN Felix Tournour! Ay, ay. Good night, Felix Tournour. When will the Master be back? TOURNOUR _(coming to him)_ Not till you're out of this, and back in your ward. GORMAN Wasn't there a boy speaking to me? CHRISTY Yes _(speaking as if to a deaf man)_ The Master will be going the rounds in a while, and you can speak to him in the ward. GORMAN I've a favour to ask the Master, and I don't want to ask it before the others. _(To Christy)_ Will the Master be here soon, a vick vig? [6] TOURNOUR _(taking him by the shoulders)_ Here, now, come on, this is your way out. _He turns Gorman to the door. As he is putting him out Thomas Muskerry enters_ TOURNOUR This oul' fellow came into the office, and I was leading him back into his ward. MUSKERRY Leave the man alone. _Tournour retreats to the stove and takes up the bucket; after a look behind he goes out and closes the corridor door. Christy Clarke takes the periodicals over to table and sits down. Myles Gorman has been eager and attentive. Thomas Muskerry stands with his back to the stove. He is over sixty. He is a large man, fleshy in face and figure, sanguine and benevolent in disposition. He has the looks and movements of one in authority. His hair is white and long; his silver beard is trimmed. His clothes are loosely fitting. He wears no overcoat, but
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