he first element of a rational philosophy, and
would have fled, if she could, to the ends of the earth.
In the meantime she took refuge in the little room off the studio,
blushing, palpitating, very much ashamed, though more than half
amused, but firmly resolved not to leave her hiding-place nor face the
visitor, devoutly hoping, at the same time, that he might not stay
long.
Simon was in the act of lifting his Fairy Queen into her usual
position. She had been dethroned the day before, while he worked at a
less congenial task. On his visitor's entrance he put her back with
her face to the wall.
Tom made an exceedingly stiff bow. "Mr. Perkins, I believe?"
"Mr. Ryfe?" replied Simon, in the same half-interrogative tone, with a
very stiff bow too.
"I am here on the part of Lord Bearwarden," said Tom. "And I have been
referred to you by Mr. Stanmore. You expected me, no doubt."
"I had a communication from Mr. Stanmore an hour ago to that effect,"
answered Simon, with a gravity the more profound that he had some
difficulty in repressing a smile. The painter was not without a sense
of humour, and this "communication," as he called it, lay crumpled up
in his waistcoat-pocket while he spoke. It ran thus--
"Dear Simon,--I have had a visit from a man named Ryfe that puzzles me
exceedingly. He comes from Lord Bearwarden, and they want to fasten
some sort of quarrel on me, but why, I cannot imagine. I was obliged
to refer him to you. Of course we'll fight if we must; but try and
make out what they are driving at, and which is the biggest fool of
the two. I think they're both mad! I shall be with you rather later
than usual. In the meantime I leave the whole thing in your hands.
I don't know Bearwarden well, but used to think him rather a good
fellow. The others an _awful_ snob!"
* * * * *
Now I feel that it would be unbecoming on my part to tax a young lady
with so mean an act as that of listening; nevertheless, each of the
gentlemen in the studio thought proper to speak in so loud and indeed
so pompous a voice that Miss Algernon could not avoid overhearing
them. It was surely natural, then, that when Mr. Stanmore's name was
brought into the colloquy she should have drawn nearer the door of
the partition, and--well--not _tried_ to avoid overhearing as much as
possible of their dialogue.
The action of the farce amused her at first. It was soon to become
interesting, exciting, terr
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