s of the age, but
because he has exerted a deeper influence on our literature as a critic, we
have reserved him for special study among the essayists. (See p. xxx)
Footnote 240: It should be pointed out that the _English Humorists_ is
somewhat too highly colored to be strictly accurate. In certain cases also,
notably that of Steele, the reader may well object to Thackeray's
patronizing attitude toward his subject.
Footnote 241: See pp. 260-261.
Footnote 242: Emily Bronte (1818-1848) was only a little less gifted than
her famous sister. Her best known work is _Wuthering Heights_ (1847), a
strong but morbid novel of love and suffering. Matthew Arnold said of her
that, "for the portrayal of passion, vehemence, and grief," Emily Bronte
had no equal save Byron. An exquisite picture of Emily is given in
Charlotte Bronte's novel _Shirley_.
Footnote 243: _Essays_, Riverside edition, I, 318.
Footnote 244: The student should remember that Carlyle's literary
opinions, though very positive, are to be received with caution. Sometimes,
indeed, they are so one-sided and prejudiced that they are more valuable as
a revelation of Carlyle himself than as a study of the author he is
considering.
Footnote 245: The Oxford movement in religion has many points of
resemblance to the Pre-Raphaelite movement in art. Both protested against
the materialism of the age, and both went back for their models to the
Middle Ages. Originally the movement was intended to bring new life to the
Anglican church by a revival of the doctrine and practices of an earlier
period. Recognizing the power of the press, the leaders chose literature
for their instrument of reform, and by their _Tracts for the Times_ they
became known as Tractarians. To oppose liberalism and to restore the
doctrine and authority of the early Church was the center of their
teaching. Their belief might be summed up in one great article of the
Creed, with all that it implies,--"I believe in one Catholic and Apostolic
Church." The movement began at Oxford with Keble's famous sermon on
"National Apostasy," in 1833; but Newman was the real leader of the
movement, which practically ended when he entered the Catholic church in
1845.
End of the Project Gutenberg EBook of English Literature, by William J. Long
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