manity cries
The answer is briefly, "He can't if he tries;
He has played with his foolish old feather so long,
That the goose-quill in spite of him cackles in song."
You have watched him with patience from morning to dusk
Since the tassel was bright o'er the green of the husk,
And now--it 's too bad--it 's a pitiful job--
He has shelled the ripe ear till he's come to the cob.
I see one face beaming--it listens so well
There must be some music yet left in my shell--
The wine of my soul is not thick on the lees;
One string is unbroken, one friend I can please!
Dear comrade, the sunshine of seasons gone by
Looks out from your tender and tear-moistened eye,
A pharos of love on an ice-girdled coast,--
Kind soul!--Don't you hear me?--He's deaf as a post!
Can it be one of Nature's benevolent tricks
That you grow hard of hearing as I grow prolix?
And that look of delight which would angels beguile
Is the deaf man's prolonged unintelligent smile?
Ah! the ear may grow dull, and the eye may wax dim,
But they still know a classmate--they can't mistake him;
There is something to tell us, "That's one of our band,"
Though we groped in the dark for a touch of his hand.
Well, Time with his snuffers is prowling about
And his shaky old fingers will soon snuff us out;
There's a hint for us all in each pendulum tick,
For we're low in the tallow and long in the wick.
You remember Rossini--you 've been at the play?
How his overture-endings keep crashing away
Till you think, "It 's all over--it can't but stop now--
That 's the screech and the bang of the final bow-wow."
And you find you 're mistaken; there 's lots more to come,
More banging, more screeching of fiddle and drum,
Till when the last ending is finished and done,
You feel like a horse when the winning-post 's won.
So I, who have sung to you, merry or sad,
Since the days when they called me a promising lad,
Though I 've made you more rhymes than a tutor could scan,
Have a few more still left, like the razor-strop man.
Now pray don't be frightened--I 'm ready to stop
My galloping anapests' clatter and pop--
In fact, if you say so, retire from to-day
To the garret I left, on a poet's half-pay.
And yet--I can't help it--perhaps--who can tell?
You might miss the poor singer you treated so well,
And confess you could stand him five minutes or so,
"It was so like old times we remember, you know."
'T is not that the music can signify much,
But then there
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