e said room and books so placed and adjusted be called
by the name of 'Bibliotheca Pepysiana.'

"10. That this 'Bibliotheca Pepysiana' be under the sole power and
custody of the master of the college for the time being, who shall
neither himself convey, nor suffer to be conveyed by others, any of
the said books from thence to any other place, except to his own
lodge in the said college, nor there have more than ten of them at a
time; and that of those also a strict entry be made and account
kept, at the time of their having been taken out and returned, in a
book to be provided, and remain in the said library for that purpose
only.

"11. That before my said library be put into the possession of
either of the said colleges, that college for which it shall be
designed, first enter into covenants for performance of the
foregoing articles.

"12. And that for a yet further security herein, the said two
colleges of Trinity and Magdalen have a reciprocal check upon one
another; and that college which shall be in present possession of
the said library, be subject to an annual visitation from the other,
and to the forfeiture thereof to the life, possession, and use of
the other, upon conviction of any breach of their said covenants.

"S. PEPYS."

The library and the original book-cases were not transferred to
Magdalene College until 1724, and there they have been preserved in
safety ever since.

A large number of Pepys's manuscripts appear to have remained unnoticed
in York Buildings for some years. They never came into Jackson's hands,
and were thus lost to Magdalene College. Dr. Rawlinson afterwards
obtained them, and they were included in the bequest of his books to the
Bodleian Library.

Pepys was partial to having his portrait taken, and he sat to Savill,
Hales, Lely, and Kneller. Hales's portrait, painted in 1666, is now in
the National Portrait Gallery, and an etching from the original forms
the frontispiece to this volume. The portrait by Lely is in the Pepysian
Library. Of the three portraits by Kneller, one is in the hall of
Magdalene College, another at the Royal Society, and the third was lent
to the First Special Exhibition of National Portraits, 1866, by the late
Mr. Andrew Pepys Cockerell. Several of the portraits have been engraved,
but the most interestin