n only
a peaceful and legitimate love, would have quickly divined that beneath
her brother's brusque manner lurked a budding but hopeless passion,
whence sprang his intermittent revolt against the object that had
inspired it.
This revolt was not only against Zibeline's fortune; it included her
all-pervading charm, which penetrated his soul. He was vexed at his
sister for having brought them together; he was angry with himself
that he had allowed his mind to be turned so quickly from his former
prejudices; and, however indifferent he forced himself to appear, he
was irritated against Lenaieff because of the attentions which that
gentleman showered upon Zibeline, upon whom he revenged himself by
assuming the aggressive attitude for which the Duchess had reproached
him.
In a still worse humor after the sisterly remonstrance to which he had
just been compelled to listen, he seated himself near the entrance of
the gallery, where the gypsy band was playing one of their alluring
waltzes, of a cadence so different from the regular and monotonous
measure of French dance music.
The three couples who were to compose this impromptu ball, yielded
quickly to the spell of this irresistible accompaniment.
"Suppose Monsieur Desvanneaux should hear that we danced on the eve of
Palm Sunday?" laughingly pro-tested Madame de Lisieux.
"He would report it at Rome," said Madame de Nointel.
And, without further regard to the compromising of their souls, each of
the two young women took for a partner the husband of the other.
Mademoiselle de Vermont had granted the eager request of Lenaieff that
she would waltz with him, an occupation in which the Russian officer
acquitted himself with the same respectful correctness that had formerly
obtained for him the high favor of some grand duchess at the balls in
the palace of Gatchina.
He was older and stouter than his brother-in-arms, Henri de Prerolles,
and a wound he had received at Plevna slightly impeded his movements,
so that he was unable to display the same activity in the dance as the
other waltzers, and contented himself with moving a 'trois temps', in an
evolution less in harmony with the brilliancy of the music.
Henri, on the contrary, who had been a familiar friend of the Austrian
ambassador at the time when the Princess de Metternich maintained a sort
of open ballroom for her intimates, had learned, in a good school, all
the boldness and elegance of the Viennese style of
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