offer battle, and hesitated
not to accept it. In a little while the queen beheld a body of
Moorish cavalry pouring into the vega, the riders managing their
fleet and fiery steeds with admirable address. They were richly
armed, and clothed in the most brilliant colors, and the caparisons
of their steeds flamed with gold and embroidery. This was the
favorite squadron of Muza, composed of the flower of the youthful
cavaliers of Granada. Others succeeded, some heavily armed, others
a la gineta, with lance and buckler; and lastly came the legions of
foot-soldiers, with arquebus and crossbow, and spear and scimiter.
"When the queen saw this army issuing from the city, she sent to the
Marques of Cadiz, and forbade any attack upon the enemy, or the
acceptance of any challenge to a skirmish; for she was loth that her
curiosity should cost the life of a single human being.
"The marques promised to obey, though sorely against his will; and
it grieved the spirit of the Spanish cavaliers to be obliged to
remain with sheathed swords while bearded by the foe. The Moors
could not comprehend the meaning of this inaction of the Christians,
after having apparently invited a battle. They sallied several
times from their ranks, and approached near enough to discharge
their arrows; but the Christians were immovable. Many of the
Moorish horsemen galloped close to the Christian ranks, brandishing
their lances and scimiters, and defying various cavaliers to single
combat; but Ferdinand had rigorously prohibited all duels of this
kind, and they dared not transgress his orders under his very eye.
"Here, however, the worthy Fray Antonio Agapida, in his enthusiasm
for the triumphs of the faith, records the following incident, which
we fear is not sustained by any grave chronicler of the times, but
rests merely on tradition, or the authority of certain poets and
dramatic writers, who have perpetuated the tradition in their works.
While this grim and reluctant tranquillity prevailed along the
Christian line, says Agapida, there rose a mingled shout and sound
of laughter near the gate of the city. A Moorish horseman, armed at
all points, issued forth, followed by a rabble, who drew back as he
approached the scene of danger. The Moor was more robust and brawny
than was common
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