some
others at a benefit for something or other. He read these things with
mingled feelings. Each one seemed to put her farther and farther away
into a realm which became more imposing as it receded from him. On the
billboards, too, he saw a pretty poster, showing her as the Quaker Maid,
demure and dainty. More than once he stopped and looked at these, gazing
at the pretty face in a sullen sort of way. His clothes were shabby, and
he presented a marked contrast to all that she now seemed to be.

Somehow, so long as he knew she was at the Casino, though he had never
any intention of going near her, there was a subconscious comfort for
him--he was not quite alone. The show seemed such a fixture that,
after a month or two, he began to take it for granted that it was still
running. In September it went on the road and he did not notice it. When
all but twenty dollars of his money was gone, he moved to a fifteen-cent
lodging-house in the Bowery, where there was a bare lounging-room filled
with tables and benches as well as some chairs. Here his preference was
to close his eyes and dream of other days, a habit which grew upon him.
It was not sleep at first, but a mental hearkening back to scenes and
incidents in his Chicago life. As the present became darker, the past
grew brighter, and all that concerned it stood in relief.

He was unconscious of just how much this habit had hold of him until one
day he found his lips repeating an old answer he had made to one of his
friends. They were in Fitzgerald and Moy's. It was as if he stood in the
door of his elegant little office, comfortably dressed, talking to
Sagar Morrison about the value of South Chicago real estate in which the
latter was about to invest.

"How would you like to come in on that with me?" he heard Morrison say.

"Not me," he answered, just as he had years before. "I have my hands
full now."

The movement of his lips aroused him. He wondered whether he had really
spoken. The next time he noticed anything of the sort he really did
talk.

"Why don't you jump, you bloody fool?" he was saying. "Jump!"

It was a funny English story he was telling to a company of actors. Even
as his voice recalled him, he was smiling. A crusty old codger, sitting
near by, seemed disturbed; at least, he stared in a most pointed way.
Hurstwood straightened up. The humour of the memory fled in an instant
and he felt ashamed. For relief, he left his chair and strolled out into
the