ined again at
Allenton by following the secondary bicycle route designated.

NOTE.--Map of New York city asphalted streets in No. 809. Map of
route from New York to Tarrytown in No. 810. New York to Stamford,
Connecticut, in No. 811. New York to Staten Island in No. 812. New
Jersey from Hoboken to Pine Brook in No. 813. Brooklyn in No. 814.
Brooklyn to Babylon in No. 815. Brooklyn to Northport in No. 816.
Tarrytown to Poughkeepsie in No. 817. Poughkeepsie to Hudson in
No. 818. Hudson to Albany in No. 819. Tottenville to Trenton in
820. Trenton to Philadelphia in 821. Philadelphia in No. 822.
Philadelphia-Wissahickon Route in No. 823. Philadelphia to West
Chester in No. 824. Philadelphia to Atlantic City--First Stage in
No. 825; Second Stage in No. 826. Philadelphia to Vineland--First
Stage in No. 827. Second Stage in No. 828. New York to
Boston--Second Stage in No. 829; Third Stage in No. 830; Fourth
Stage in No. 831.

[Illustration: THE CAMERA CLUB]

Any questions in regard to photograph matters will be willingly
answered by the Editor of this column, and we should be glad to
hear from any of our club who can make helpful suggestions.

PAPERS FOR BEGINNERS, No. 14.

MOUNTING PRINTS.

As a rule all prints should be trimmed before toning. This is not only
economy, but it simplifies the mounting process. Aristo prints can be
mounted direct from the ferrotype plate or the ground-glass to which
they have been squeegeed to dry. When thoroughly dry, paste the back of
a print, lift the corner from the plate with the point of a knife, and
peel off the picture. Place the upper edge of the picture on a line with
the top of the card, and let the print drop into place. Lay a piece of
tissue-paper over the face of the print, and roll the squeegee over it
very lightly and evenly, taking care that no air-blisters are left
between the print and the card-mount. By mounting aristo prints in this
way one avoids getting paste on the face of the picture, and it will
retain much of the gloss imparted to it by the ferrotype plate.

Instead of drying the prints before mounting they can be taken from the
water one at a time, and placed face down on a pane of glass, or the
bottom of the toning tray. After all are placed, absorb as much of the
water as possible with a piece of blotting-paper. Apply the paste to the
top print, being particular to h