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. SAND, PAGELLO ET MUSSET A PARIS (aout-octobre 1834). Voyage de G. Sand et de Pagello.--Leur arrivee a Paris.--Boucoiran.--Entrevue de G. Sand et de Musset.--Musset a Baden.--Lettres d'amour.--Pagello jaloux.--G. Sand a Nohant.--Retour de Musset.--Vie de Pagello a Paris.--Son depart. VIII.--LE DRAME D'AMOUR (octobre 1834-mars 1835). Reprise d'amour.--Impuissance de bonheur.--Nouvelle separation.--Deuxieme sejour a Nohant.--G. Sand revient desesperee.--Son Journal intime.--Delacroix, Liszt, Sainte-Beuve.--Humilite d'amour.--Lassitude de Musset.--Influence d'Alfred Tattet.--Troisieme depart pour Nohant.--Deuxieme reprise d'amour.--Sainte-Beuve, Boucoiran.--Rupture. IX.--APRES LA RUPTURE. Resignation et Indifference.--_Les Nuits_.--Musset transforme.--Musset dandy.--Ses amis et son monde.--L'intemperance de Musset.--La passion chez G. Sand.--La femme de lettres.--Elle et Lui.--Leur legende.--Conclusion. End of the Project Gutenberg EBook of Une histoire d'Amour, by Paul Marieton *** END OF THIS PROJECT GUTENBERG EBOOK UNE HISTOIRE D'AMOUR *** ***** This file should be named 13622.txt or 13622.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/6/2/13622/ Produced by Miranda van de Heijning, Renald Levesque and the Online Distributed Proofreading Team. This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you
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