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ing tamarisk; the sunlight fell torrid, blighting in its scorching heat, over all. The scene, with its rough, fresh, vigorous barbarism, delighted me. I slackened my pace and stood still again before disturbing or interrupting the men. "Suzee," I said suddenly, "I admire this picture before us immensely. I should like to see it in the Academy to cheer up jaded Londoners next season. I should be glad to stop here to-day to paint it. We can go down the river to-morrow." Suzee stared at me in dismay. "Oh, Treevor, you don't want to stay here all day, do you? It's so hot, and there's nothing to do, and, we shall miss the fair at Tampico to-night. You promised we should see it" I sighed. It was true, I had said something about the fair, but I had forgotten it. Suzee, however, never forgot things of this sort and she radically objected to any change being made in a programme. She did not adapt herself quickly and easily to changed moods or circumstances. Had Viola been with me, she would have said at once: "_Would_ you like to stay here instead of going on? Do let's stay, then. We can go down the river any time." And had I suggested there would be nothing for her to do, she would have answered: "Oh yes, I shall enjoy sitting watching you." Her interest had always lain in me, in her companion; to what we did she was indifferent; provided we were together and I was pleased, she was content. It is just this difference in women that makes it so delightful to live with some, so impossible to live with others. There are some, very few, of whom Viola was one, who delight in the society of the man they love, who drink in pleasure for themselves from his enjoyment; there are others, like Suzee, the majority, who are always at conflict with his wishes in little things, striving after some independent aim or project. And they wonder why, after a time, their companionship grows irksome and they are deserted. They also wonder why sometimes the other woman is adored and worshipped and grows into the inner life of a man till he cannot exist without her. I felt then an extraordinary longing to be free from Suzee, to be alone. Here was a picture, set ready to my hand. A scene we had come upon accidentally and that, in its barbaric simplicity, was not easily to be found again. It was strong, striking, original. I saw it before my mind's eyes on the canvas already, with "On the Tamesi, Mexico" written on the margin. How
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