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The Project Gutenberg EBook of 1601, by Mark Twain This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: 1601 Conversation as it was by the Social Fireside in the Time of the Tudors Author: Mark Twain Last Updated: February 16, 2009 Release Date: August 20, 2006 [EBook #3190] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK 1601 *** Produced by David Widger 1601 Conversation as it was by the Social Fireside in the Time of the Tudors By Mark Twain INTRODUCTION "Born irreverent," scrawled Mark Twain on a scratch pad, "--like all other people I have ever known or heard of--I am hoping to remain so while there are any reverent irreverences left to make fun of." --[Holograph manuscript of Samuel L. Clemens, in the collection of the F. J. Meine] Mark Twain was just as irreverent as he dared be, and 1601 reveals his richest expression of sovereign contempt for overstuffed language, genteel literature, and conventional idiocies. Later, when a magazine editor apostrophized, "O that we had a Rabelais!" Mark impishly and anonymously--submitted 1601; and that same editor, a praiser of Rabelais, scathingly abused it and the sender. In this episode, as in many others, Mark Twain, the "bad boy" of American literature, revealed his huge delight in blasting the shams of contemporary hypocrisy. Too, there was always the spirit of Tom Sawyer deviltry in Mark's make-up that prompted him, as he himself boasted, to see how much holy indignation he could stir up in the world. WHO WROTE 1601? The correct and complete title of 1601, as first issued, was: [Date, 1601.] 'Conversation, as it was by the Social Fireside, in the Time of the Tudors.' For many years after its anonymous first issue in 1880, its authorship was variously conjectured and widely disputed. In Boston, William T. Ball, one of the leading theatrical critics during the late 90's, asserted that it was originally written by an English actor (name not divulged) who gave it to him. Ball's original, it was said, looked like a newspaper strip in the way it was printed, and may indeed have been a proof pulled in some newspaper office. In St. Louis, William Marion Reedy, editor o
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