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derable as to force itself on our attention, to speak as if a new state were placed alongside the previous one. Of this new state we assume that it remains unvarying in its turn, and so on endlessly. The apparent discontinuity of the psychical life is then due to our attention being fixed on it by a series of separate acts: actually there is only a gentle slope; but in following the broken line of our acts of attention, we think we perceive separate steps. True, our psychic life is full of the unforeseen. A thousand incidents arise, which seem to be cut off from those which precede them, and to be disconnected from those which follow. Discontinuous though they appear, however, in point of fact they stand out against the continuity of a background on which they are designed, and to which indeed they owe the intervals that separate them; they are the beats of the drum which break forth here and there in the symphony. Our attention fixes on them because they interest it more, but each of them is borne by the fluid mass of our whole psychical existence. Each is only the best illuminated point of a moving zone which comprises all that we feel or think or will--all, in short, that we are at any given moment. It is this entire zone which in reality makes up our state. Now, states thus defined cannot be regarded as distinct elements. They continue each other in an endless flow. But, as our attention has distinguished and separated them artificially, it is obliged next to reunite them by an artificial bond. It imagines, therefore, a formless _ego_, indifferent and unchangeable, on which it threads the psychic states which it has set up as independent entities. Instead of a flux of fleeting shades merging into each other, it perceives distinct and, so to speak, _solid_ colors, set side by side like the beads of a necklace; it must perforce then suppose a thread, also itself solid, to hold the beads together. But if this colorless substratum is perpetually colored by that which covers it, it is for us, in its indeterminateness, as if it did not exist, since we only perceive what is colored, or, in other words, psychic states. As a matter of fact, this substratum has no reality; it is merely a symbol intended to recall unceasingly to our consciousness the artificial character of the process by which the attention places clean-cut states side by side, where actually there is a continuity which unfolds. If our existence were composed
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