The Project Gutenberg EBook of Lord Kitchener, by G. K. Chesterton
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Lord Kitchener
Author: G. K. Chesterton
Release Date: June 15, 2008 [EBook #25795]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK LORD KITCHENER ***
Produced by Irma Spehar and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive/Canadian Libraries)
LORD KITCHENER
BY
G. K. CHESTERTON
LONDON
1917
[Illustration: LORD KITCHENER
By G. K. Chesterton
_Photo by Elliott & Fry, Ltd., London._]
LORD KITCHENER
Horatio Herbert Kitchener was Irish by birth but English by
extraction, being born in County Kerry, the son of an English colonel.
The fanciful might see in this first and accidental fact the presence
of this simple and practical man amid the more mystical western
problems and dreams which were very distant from his mind, an element
which clings to all his career and gives it an unconscious poetry. He
had many qualities of the epic hero, and especially this--that he was
the last man in the world to be the epic poet. There is something
almost provocative to superstition in the way in which he stands at
every turn as the symbol of the special trials and the modern
transfiguration of England; from this moment when he was born among
the peasants of Ireland to the moment when he died upon the sea,
seeking at the other end of the world the other great peasant
civilisation of Russia. Yet at each of these symbolic moments he is,
if not as unconscious as a symbol, then as silent as a symbol; he is
speechless and supremely significant, like an ensign or a flag. The
superficial picturesqueness of his life, at least, lies very much in
this--that he was like a hero condemned by fate to act an allegory.
We find this, for instance, in one of the very first and perhaps one
of the most picturesque of all the facts that are recorded or r
|