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is is all the Evangelist tells us of what was doubtless an exciting, perhaps even a perilous adventure. We may suppose both journeys to have been made by donkeys, the common beasts of burden in Eastern countries. The young mother and child must certainly have had to ride. As for Joseph, he was a sturdy man, and may well have walked; in those days travelling was a matter of time. Unused to luxuries, these simple folk trusted in Providence to supply their few needs by the way. Our picture illustrates an imaginary incident on the return journey from Egypt to Israel. It is the hour of the noonday rest, and the little company have come to a halt in the woods. An old legend relates how at such times the trees would bend to offer them fruit, and springs would gush forth out of the dry ground for their refreshment. Mary has seated herself on a bank by the stream, while Joseph plucks the fruit from the date palm near by. The boy Jesus has been standing between the two, watching Joseph, from whose outstretched hand he now takes the fruit. At the same time he is thirsty, and leaning back towards his mother, he turns and throws an arm over her shoulder, asking for a drink of water. She has a round basin (or _scodella_) which the family use as a drinking-cup, and the child points to it with a coaxing smile, resting his hand on her wrist. [Illustration: THE REST ON THE RETURN FROM EGYPT (MADONNA DELLA SCODELLA) _Parma Gallery_] Mary turns with fond pride towards the dear little face so near her own. Her face is the same which we have already seen bending in a mother's first ecstasy over her babe. Here it has a maturer and more matronly look, but with no less sweetness. Joseph, from his higher level, looks down kindly upon the two. His generous nature seems to take delight in anything that gives them pleasure. He is large and heavily built, a stalwart protector should perils beset them. In spite of the thick draperies so clumsily wound about him, he is a dignified figure. He holds here a place of prominence seldom given him by other painters. The child upon whom so much love is lavished is a tall, lithe boy with a well shaped head. His hair is parted, and falls in loose curls on each side of a forehead which marks him a child of genius. The face is delicate and sensitive, with a shy expression in the eyes. The family are not alone, for, all unseen by them, a company of ministering angels wait upon them. A tall one in the
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