FREE BOOKS

Author's List




PREV.   NEXT  
|<   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169  
170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   >>   >|  
that last boom of eleven the Stuyvesant Theater swung its doors outward as the portals of a cuckoo clock fly open on the hour, and women in fur-collared, brocaded coats, which wrapped them to the ankles, and carefully curved smiles that Watteau knew so well and Thackeray knew too well, streamed out into the radium-white flare of Broadway, their delicate fingers resting lightly on the tired arms of tired business men, whose faces were like wood-carving and whose wide white shirt-fronts covered their hearts like slabs. Almost before the last limousine door had slammed, and the last tired business man had felt the light compelling pressure of the delicate finger-tips on his arm and turned his tired eyes from the white lights to the whiter lights of cafes and gold-leaf hotels, the interior of the Stuyvesant Theater, warm and perfumed as the interior of a jewel-box, blinked into soft darkness. Small figures, stealthy _espions_ of the night, padded down thick-carpeted aisles flashing their pocket searchlights now here, now there, folding rows of velvet seats against velvet backs, reaching for discarded programs and seat-checks, gathering up the dainty debris of petals fallen from too-blown roses, an occasional webby handkerchief, an odd glove, a ribbon. Then the dull-red eyes above the fire-exits blinked out, the sea of twilight deepened, and the small searchlights flashed brighter and whiter, glow-worms in a pit of night. "For Pete's sakes! Tell Ed to give back them lights; my lamp's burnt out." "Oh, hurry up, Essie! You girls up there in the balcony would kick if you was walkin' a tight rope stretched between the top stories of two Flatiron Buildings." "It's easy enough for you to talk down there in the orchestra, Lulu Pope. Carriage shoes don't muss up the place like Subway shoes." "Gimme the balcony in preference to the orchestra every time." "What about us girls 'way up here in the chutes? Whatta you say about us, Lulu Pope--playin' handmaids to the gallery gods?" "Chutes the same. I used to be in the chutes over at the Olympic, and six nights out of the week I carried water up the aisles without a stop. Lookin' each row in the eye, too!" "Like fun!" "Sure's my name's Lulu Pope! Me an' a girl named Della Bradenwald used to play Animal or Vegetable Kingdom every entr'acte with the fireman." "Oh-h-h! Say, Loo, you oughtta see what I found up here in Box E!" "Leave it to Essie Birdsong for a find!
PREV.   NEXT  
|<   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169  
170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   >>   >|  



Top keywords:

lights

 

interior

 

delicate

 

orchestra

 
Theater
 
Stuyvesant
 

business

 

velvet

 

blinked

 

aisles


balcony

 
searchlights
 

whiter

 

chutes

 
Carriage
 

stories

 
Flatiron
 
Buildings
 
stretched
 

walkin


gallery

 

Animal

 
Vegetable
 

Kingdom

 

Bradenwald

 
Birdsong
 

fireman

 

oughtta

 
handmaids
 
playin

Chutes
 

Whatta

 
preference
 
Lookin
 

carried

 

Olympic

 

nights

 

Subway

 
petals
 

carving


Broadway

 
fingers
 

resting

 

lightly

 

fronts

 

covered

 

compelling

 

pressure

 

slammed

 

hearts