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The Project Gutenberg eBook, The Great English Short-Story Writers, Vol. 1, by Various, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Great English Short-Story Writers, Vol. 1 Author: Various Release Date: November 19, 2003 [eBook #10135] Language: English Chatacter set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE GREAT ENGLISH SHORT-STORY WRITERS, VOL. 1*** E-text prepared by Juliet Sutherland, Josephine Paolucci, and the Project Gutenberg Online Distributed Proofreading Team THE READERS'S LIBRARY THE GREAT ENGLISH SHORT-STORY WRITERS VOL. I WITH INTRODUCTORY ESSAYS BY WILLIAM J. DAWSON AND CONINGSBY W. DAWSON MCMX ACKNOWLEDGMENT To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors. CONTENTS CHAP. I. THE EVOLUTION OF THE SHORT-STORY II. THE APPARITION OF MRS. VEAL. By Daniel Defoe (1661-1731) III. THE MYSTERIOUS BRIDE. By James Hogg (1770-1835) IV. THE DEVIL AND TOM WALKER. By Washington Irving (1783-1859) V. DR. HEIDEGGER'S EXPERIMENT. By Nathaniel Hawthorne (1807-1864) VI. THE PURLOINED LETTER. By Edgar Allan Poe (1809-1849) VII. RAB AND HIS FRIENDS. By Dr. John Brown (1810-1882) VIII. THE BOOTS AT THE HOLLY-TREE INN. By Charles Dickens (1812-1870) IX. A STORY OF SEVEN DEVILS. By Frank R. Stockton. (1834-1902) X. A DOG'S TALE. By Mark Twain (1835) XI. THE OUTCASTS OF POKER FLAT. By Bret Harte (1839-1902) XII. THE THREE STRANGERS. By Thomas Hardy (1840) XIII. JULIA BRIDE. By Henry James (1843) XIV. A LODGING FOR THE NIGHT. By Robert Louis Stevenson (1850-1894) INDEX The Evolution of the Short-Story I The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire." It bears the mark of its origin, for even to-day it is true that the more it creates the illusion of the speaking-voice, causing the reader to listen and to see, so that he forgets the printed page, the better does it accomplish i
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