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The Project Gutenberg EBook of The Printer Boy., by William M. Thayer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Printer Boy. Or How Benjamin Franklin Made His Mark. An Example for Youth. Author: William M. Thayer Release Date: August 13, 2008 [EBook #26295] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE PRINTER BOY. *** Produced by Steven Gibbs, Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies. Text that has been changed to correct an obvious error is noted at the end of this ebook.] The PRINTER BOY. OR HOW BENJAMIN FRANKLIN MADE HIS MARK. AN EXAMPLE FOR YOUTH. BY WILLIAM. M. THAYER AUTHOR OF "THE BOBBIN BOY", "TALES FROM THE BIBLE", ETC. [Illustration: Medallion of Benjamin Franklin.] ILLUSTRATIONS BY JULIAN PORTCH ENGRAVED BY BALE & HOLMAN. LONDON JAMES HOGG & SONS [Illustration: "How much did you give for your whistle!"--See page 4.] PREFACE. This book is designed to illustrate the familiar maxim, that "THE BOY IS FATHER TO THE MAN." The early life of Franklin is sketched from his childhood to the time he was established in business, thus showing what he was in boyhood and youth; and the achievements of his manhood are summed up in a closing chapter, to substantiate the truth of the above proverb. The author believes that the lives of distinguished men may be incorporated into a story, uniting narrative and dialogue so as to be more attractive to the young. John Bunyan was the first to adopt this style, and his inimitable Pilgrim's Progress charms the young reader, not only by its graphic imagery, but also by its alternation of narrative and dialogue. Since his day, others have adopted a similar style, particularly in works of fiction, with success. Why may not truth appear in such a dress as successfully as fiction? Why may not _actual_ lives be presented in this manner as vividly as _im
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