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Project Gutenberg's What The Left Hand Was Doing, by Gordon Randall Garrett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: What The Left Hand Was Doing Author: Gordon Randall Garrett Release Date: April 25, 2008 [EBook #25166] Last updated: January 31, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK WHAT THE LEFT HAND WAS DOING *** Produced by Greg Weeks, Bruce Albrecht, LN Yaddanapudi and the Online Distributed Proofreading Team at http://www.pgdp.net WHAT THE LEFT HAND ... WAS DOING By DARRELL T. LANGART Illustrated by Freas _There is no lie so totally convincing as something the other fellow already knows-for-sure is the truth. And no cover-story so convincing...._ [Illustration] The building itself was unprepossessive enough. It was an old-fashioned, six-floor, brick structure that had, over the years, served first as a private home, then as an apartment building, and finally as the headquarters for the organization it presently housed. It stood among others of its kind in a lower-middle-class district of Arlington, Virginia, within howitzer range of the capitol of the United States, and even closer to the Pentagon. The main door was five steps up from the sidewalk, and the steps were flanked by curving balustrades of ornamental ironwork. The entrance itself was closed by a double door with glass panes, beyond which could be seen a small foyer. On both doors, an identical message was blocked out in neat gold letters: _The Society For Mystical and Metaphysical Research, Inc._ It is possible that no more nearly perfect cover, no more misleading front for a secret organization ever existed in the history of man. It possessed two qualities which most other cover-up titles do not have. One, it was so obviously crackpot that no one paid any attention to it except crackpots, and, two, it was perfectly, literally true. Spencer Candron had seen the building so often that the functional beauty of the whole setup no longer impressed him as it had several years before. Just as a professional actor is not impressed by being allowed backstage, or as a multimillionaire considers expensive luxuries as
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