ic as artificial and treated
of things as unreal as my master in the art, and I am rather glad that I
acquainted myself so thoroughly with a mood of literature which, whatever
we may say against it, seems to have expressed very perfectly a mood of
civilization.

The severe schooling I gave myself was not without its immediate use.
I learned how to choose between words after a study of their fitness,
and though I often employed them decoratively and with no vital sense of
their qualities, still in mere decoration they had to be chosen
intelligently, and after some thought about their structure and meaning.
I could not imitate Pope without imitating his methods, and his method
was to the last degree intelligent. He certainly knew what he was doing,
and although I did not always know what I was doing, he made me wish to
know, and ashamed of not knowing. There are several truer poets who
might not have done this; and after all the modern contempt of Pope, he
seems to me to have been at least one of the great masters, if not one of
the great poets. The poor man's life was as weak and crooked as his
frail, tormented body, but he had a dauntless spirit, and he fought his
way against odds that might well have appalled a stronger nature.
I suppose I must own that he was from time to time a snob, and from time
to time a liar, but I believe that he loved the truth, and would have
liked always to respect himself if he could. He violently revolted,
now and again, from the abasement to which he forced himself, and he
always bit the heel that trod on him, especially if it was a very high,
narrow heel, with a clocked stocking and a hooped skirt above it.
I loved him fondly at one time, and afterwards despised him, but now I am
not sorry for the love, and I am very sorry for the despite. I humbly,
own a vast debt to him, not the least part of which is the perception
that he is a model of ever so much more to be shunned than to be followed
in literature.

He was the first of the writers of great Anna's time whom I knew, and he
made me ready to understand, if he did not make me understand at once,
the order of mind and life which he belonged to. Thanks to his
pastorals, I could long afterwards enjoy with the double sense requisite
for full pleasure in them, such divinely excellent artificialities at
Tasso's "Aminta" and Guarini's "Pastor Fido"; things which you will
thoroughly like only after you are in the joke of thinking how people
o