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sh_ bath, Tommy, could you?" she said. "That wouldn't be you at all. But what makes him do things like he did for Miss Blair?" "I suppose because he's the Chief," was Thompson's reply. Gladys Norman sighed elaborately. "There are moments, James Thompson," she said, "when your conversation is almost inspiring," and she relapsed into silence. For the last half-hour Thompson had been conscious of a feeling of uneasiness. It had first manifested itself when he was engaged upon a lightly grilled cutlet; had developed as he tackled the lower joint of a leg of chicken; and become an alarming certainty when he was half-way through a plate of apple tart and custard. Gladys Norman's interest in Malcolm Sage had become more than a secretarial one. Mentally he debated the appalling prospect. By the time coffee was finished he had reached an acute stage of mental misery. Suddenly life had become, not only tinged, but absolutely impregnated with wretchedness. It was not until they had left the restaurant and were walking along Shaftesbury Avenue that he summoned up courage to speak. "Gladys," he said miserably, "you're not----" then he paused, not daring to put into words his thought. "He's so magnetic, so compelling," she murmured dreamily. "He knows so much. Any girl might----" She did not finish the sentence; but stole a glance at Thompson's tragic face. They walked in silence as far as Piccadilly Circus, then in the glare of light she saw the misery of his expression. "You silly old thing," she laughed, as she slipped her arm through his. "You funny old thing," and she laughed again. That laugh was a Boddy lifebelt to the sinking heart of Thompson. CHAPTER IX THE HOLDING UP OF LADY GLANEDALE I "More trouble, Tommy," remarked Gladys Norman one morning as James Thompson entered her room. He looked across at her quickly, a keen flash of interest in his somnolent brown eyes. "Somebody's pinched Lady Glanedale's jewels. Just had a telephone message. What a happy place the world would be without drink and crime----" "And women," added Thompson, alert of eye, and prepared to dodge anything that was coming. "Tommy, you're a beast. Get thee hence!" and, bending over her typewriter, she became absorbed in rattling words on to paper. Thompson had just reached the third line of "I'm Sorry I Made You Cry," when his quick eye detected Malcolm Sage as he entered the outer office. W
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