to diverge from Vahlen's
readings, such divergencies being duly pointed out in the Notes.

One word as to the aim and scope of the present Translation. My object
throughout has been to make Longinus speak in English, to preserve, as
far as lay in my power, the noble fire and lofty tone of the original.
How to effect this, without being betrayed into a loose paraphrase, was
an exceedingly difficult problem. The style of Longinus is in a high
degree original, occasionally running into strange eccentricities of
language; and no one who has not made the attempt can realise the
difficulty of giving anything like an adequate version of the more
elaborate passages. These considerations I submit to those to whom I
may seem at first sight to have handled my text too freely.

My best thanks are due to Dr. Butcher, Professor of Greek in the
University of Edinburgh, who from first to last has shown a lively
interest in the present undertaking which I can never sufficiently
acknowledge. He has read the Translation throughout, and acting on his
suggestions I have been able in numerous instances to bring my version
into a closer conformity with the original.

I have also to acknowledge the kindness of the distinguished writer who
has contributed the Introduction, and who, in spite of the heavy demands
on his time, has lent his powerful support to help on the work of one
who was personally unknown to him.

In conclusion, I may be allowed to express a hope that the present
attempt may contribute something to reawaken an interest in an unjustly
neglected classic.

ANALYSIS

The Treatise on the Sublime may be divided into six Parts, as follows:--

I.--cc. i, ii. The Work of Caecilius. Definition of the Sublime.
Whether Sublimity falls within the rules of Art.

II.--cc. iii-v. [The beginning lost.] Vices of Style opposed to the
Sublime: Affectation, Bombast, False Sentiment, Frigid Conceits.
The cause of such defects.

III.--cc. vi, vii. The true Sublime, what it is, and how
distinguishable.

IV.--cc. viii-xl. Five Sources of the Sublime (how Sublimity is related
to Passion, c. viii, Sec.Sec. 2-4).

(i.) Grandeur of Thought, cc. ix-xv.

_a._ As the natural outcome of nobility of soul. Examples (c. ix).

_b._ Choice of the most striking circumstances. Sappho's Ode (c. x).

_c._ Amplification. Plato compared with Demosthenes, Demosthenes
with Cicero (cc. xi-xiii).

_d._ Imitation (