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The Project Gutenberg eBook, Edward MacDowell, by Lawrence Gilman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Edward MacDowell Author: Lawrence Gilman Release Date: November 21, 2004 [eBook #14109] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK EDWARD MACDOWELL*** E-text prepared by David Newman and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 14109-h.htm or 14109-h.zip: (http://www.gutenberg.net/dirs/1/4/1/0/14109/14109-h/14109-h.htm) or (http://www.gutenberg.net/dirs/1/4/1/0/14109/14109-h.zip) EDWARD MACDOWELL A Study by LAWRENCE GILMAN Author of _Phases of Modern Music_; _The Music of Tomorrow_; _Stories of Symphonic Music_; _A Guide to Strauss' "Salome"_; _Debussy's "Pelleas el Melisande": A Guide to the Opera_; _Aspects of Modern Opera_; etc. London: John Lane, The Bodley Head New York: John Lane Company MCMIX 1908 [Illustration: Edward MacDowell] TO HENRY T. FINCK PREFACE This study is based upon the monograph on MacDowell which I contributed in 1905 to the "Living Masters of Music" series. That book could not, of course, remain in the series after the death of MacDowell three years later; it was therefore taken from its place and used as a foundation for the present volume, which supersedes it in every respect. The biographical portion is almost wholly new, and has been greatly enlarged, while the chapters dealing with MacDowell's music have been revised and extended. In completing this survey of one who in his art is still of to-day, I have been poignantly conscious throughout of the fact that posterity has an inconvenient habit of reversing the judgments delivered upon creative artists by their contemporaries; yet to trim deftly one's convictions in the hope that they may elastically conform to any one of a number of possible verdicts to be expected from a capricious futurity, is probably as dangerous a proceeding as to avow, without equivocation or compromise, one's precise beliefs. It will
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