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he power he exerts, and his funeral is publicly attended by his associates. This is as it should be. Journalism has now taken its place as one of the most important of the liberal professions. Next to statesmanship, next to the actual conduct of public affairs, the editor of a leading newspaper fills, perhaps, the most important place in the practical daily life of the community in which he lives; and the influence of the office is likely to increase, rather than diminish. Mr. Delane was probably the first individual who was ever educated with a distinct view to his becoming an editor. While he was still a boy, his father, a solicitor by profession, received an appointment in the office of "The Times," which led to young Delane's acquaintance with the proprietors of the journal. It seems they took a fancy to the lad. They perceived that he had the editorial cast of character, since, in addition to uncommon industry and intelligence, he had a certain eagerness for information, an aptitude for acquiring it, and a discrimination in weighing it, which marks the journalistic mind. The proprietors, noting these traits, encouraged, and, I believe, assisted him to a university education, in the expectation that he would fit himself for the life editorial. Having begun this course of preparation early, he entered the office of "The Times" as editorial assistant soon after he came of age, and acquitted himself so well that, in 1841, when he was not yet twenty-five, he became editor-in-chief. He was probably the youngest man who ever filled such a post in a daily paper of anything like equal importance. This rapid promotion will be thought the more remarkable when it is mentioned that he never wrote an editorial in his life. "The Times" itself says of him:-- "He never was a writer. He never even attempted to write anything, except reports and letters. These he had to do, and he did them well. He had a large staff of writers, and it was not necessary he should write, except to communicate with them." His not being a writer was one of his strongest points. Writing is a career by itself. The composition of one editorial of the first class is a very hard day's work, and one that leaves to the writer but a small residue of vital force. Writing for the public is the most arduous and exhausting of all industries, and cannot properly be combined with any other. Nor can a man average more than two or three editorial articles a week
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