e last that the face was that of the mortal
on the rock close behind him, and which he passed by without notice
every day. Deluded by an ideal image, the real one escapes from his
eye."

"Is the verse that is recast meant to symbolize a moral in love?"

"In love? nay, I know not; but in life, yes,--at least the life of the
artist."

"The paraphrase of the original is yours, Signorina, words and music
both. Am I not right? Your silence answers 'Yes.' Will you pardon me
if I say that, though there can be no doubt of the new beauty you have
given to the old song, I think that the moral of the old was the sounder
one, the truer to human life. We do not go on to the last duped by an
allusion. If enamoured by the shadow on the waters, still we do look
around us and discover the image it reflects."

Isaura shook her head gently, but made no answer. On the table before
her there were a few myrtle-sprigs and one or two buds from the last
winter rose, which she had been arranging into a simple nosegay;
she took up these, and abstractedly began to pluck and scatter the
rose-leaves.

"Despise the coming May flowers if you will, they will soon be so
plentiful," said Graham; "but do not cast away the few blossoms which
winter has so kindly spared, and which even summer will not give again;"
and placing his hand on the winter buds, it touched hers,--lightly,
indeed, but she felt the touch, shrank from it, coloured, and rose from
her seat.

"The sun has left this side of the garden, the east wind is rising, and
you must find it chilly here," she said, in an altered tone; "will you
not come into the house?"

"It is not the air that I feel chilly," said Graham, with a half-smile;
"I almost fear that my prosaic admonitions have displeased you."

"They were not prosaic; and they were kind and very wise," she added,
with her exquisite laugh,--laugh so wonderfully sweet and musical. She
now had gained the entrance of the arbour; Graham joined her, and they
walked towards the house. He asked her if she had seen much of the
Savarins since they had met.

"Once or twice we have been there of an evening."

"And encountered, no doubt, the illustrious young minstrel who despises
Tasso and Corneille?"

"M. Rameau? Oh, yes; he is constantly at the Savarins. Do not be severe
on him. He is unhappy, he is struggling, he is soured. An artist has
thorns in his path which lookers-on do not heed."

"All people have thorns in their path, and